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Jeanne Dielman, 6 quai aux Barques, 1000 Bruxelles 2024
A short documentary on the creation of the fresco by Alba Fabre Sacristán paying homage to Chantal Akerman's Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles. Made by Akerman's childhood friend and longtime collaborator Marilyn Watelet and also co-writer and assistant director on the iconic film.

Hridpindo 2022 star_border 10
A married biology professor goes back to her ex boyfriend who is still in love with her. When a secret is revealed, she cannot decide between listening to her heart and her mind.

No Home Movie 2016 star_border 6.8
Documentary about humans dealing with changing technology, the basic concepts of communication, cinema, and Akerman's mother, seen in her Brussels apartment.

Last Paradise 2015 star_border 6
A global quest for adventure, 45 years in the making all in stunning, original footage

Almayer's Folly 2012 star_border 6.4
A tale of an occidental merchant, Kaspar Almayer, whose dreams of riches for his beloved daughter, Nina, collapse under the weight of his own greed and prejudice.

Paradise Island 2009 star_border 2.5
A poor boy befriends a girl from a rich family who disapprove their relationship.

Women from Antwerp in November 2008
Femmes d’Anvers en novembre is a dual projection piece rich in atmosphere and charm, filled with references to early French and American film noir – a deliberate homage, shot in close-up and medium close-up, to the smoking woman. The focus on the everyday activities of women (the core trope of Akerman’s masterpiece Jeanne Dielman) is a recurring theme in much of her work; Femmes d'Anvers signals a return to this motif. In it, Akerman tackles the thorny question of a person’s fundamental freedom to choose what to do with his or her body.

Down There 2006 star_border 4.8
Akerman spends a brief period on her own in an apartment by the sea in Tel Aviv. She films from the apartment and in her narration she talks about her family, her Jewish identity and her childhood. She wonders whether normal everyday life is possible in this place and whether filming is a realistic option.

Autour d’hier aujourd’hui et demain (on déménage) 2004

Vodka Lemon 2003 star_border 6.5
In a remote, isolated Yazidi Kurdish village in post-Soviet Armenia, Hamo, a widower with a pitiful pension and three worthless sons, travels daily to his wife's grave. There he meets the lovely Nina, who is communing with her late husband. The two are penniless--she works in a local bar that is about to close down, while he has been forced to start selling his meager possessions. All seems hopelessly bleak, yet when Hamo begins to court Nina, their unexpected love revitalizes them.

The Captive 2000 star_border 5.4
Ariane and Simon met down by the water. Simon has managed to prize Ariane away from her friends, a bunch of free and arrogant girls, and move her into his place, with her own room at the end of the hall and her own bathroom next to his. He has taken on Andrée, one of the girls from the bunch by the water, to watch over Ariane, escort her wherever she goes and report back to him on everything she does. Andrée becomes Ariane’s accomplice. She’ll tell lies for her, and with her, and most likely they’ll make love together when the mood takes them.

South 1999 star_border 6.2
Chantal Akerman investigates the American Deep South through the story of a lynching and grisly murder of an African-American man that took place in Texas in 1998.

Our Yard 1996 star_border 8
Life at the ordinary backyard in Yerevan. Two hours of non-stop jokes and music.

A Couch in New York 1996 star_border 5.9
Dr. Henry Harriston is a successful psychoanalyst in New York City. When he is near a nervous breakdown, he arranges to change his flat with Beatrice Saulnier from France for a while. Both don't know each other and both find themselves deeply involved into the social settings of the other, because the decision to change their flats is made overnight. Could be the perfect amusement, but suddenly Henry finds himself beaten up by Beatrice' lover and Beatrice is considered to be Dr. Harriston's substitute by his clients...

Celestial Clockwork 1995 star_border 3.4
Ana bolts from her wedding altar and flies from Venezuela to Paris to realize her dream of becoming a great opera star.

From the East 1993 star_border 6.8
Scenes of life in Eastern Europe after the collapse of the Eastern Bloc.

Night and Day 1991 star_border 5.8
Jack and Julie live in a bare flat in Paris. At night, Jack drives a taxi while Julie wanders around the city, and in the day they make love. One day Julie meets Joseph, the daytime driver of the taxi, and soon Julie is spending her nights with Joseph and her days with Jack.

Babel: A Letter to My Friends Left Behind in Belgium 1991 star_border 5
"Babel / Letter to my Friends who Stayed in Belgium" narrates the day-to-day existence of a filmmaker wandering through his city (Brussels) and who has a notion to follow in the footsteps of dramatist Antonin Artaud and visit the Tarahumara people of Mexico. This is a film about intimacy and friendship. Written in the first person, it places Boris and Brussels in the center of the universe, here represented by the crazy, vertiginous, endless spiral of the biblical Tower. It is Boris's diary and self-portrait. He plays himself on screen (as do the cast of a hundred who also allowed themselves to be "Babelized")

American Stories: Food, Family and Philosophy 1989 star_border 5.1
Belgian director Chantal Akerman avoids her usual "real time" technique in Histoires d'Amérique. The anecdotal nature of the subject matter compels Akerman to fragment her narrative, rather than offer it in one, uninterrupted continuum. Still, another Akerman trademark -- permitting the "drama" to emanate from the actors rather than the situations -- is very much in evidence. This informal history of Jewish life over the past 100 years is related in a series of eyewitness accounts, re-created by a group of largely unknown actors. Also known as American Stories, the Belgian/French Histoires d'Amérique began building an audience when it was shown at the Berlin Film Festival.

Golden Eighties 1986 star_border 6.4
Three young women at a hair salon all like the son of the clothing store proprietors across the mall. Although Robby is selfish and shallow, he's appealing to Lili, the salon's manager, who's trendy and also the salon-owner's moll; to Mado, who's innocent and sweet; and to Pascale, who's intelligent but passive and downcast. Robby's dad tells him to grow up and see beyond the mercurial Lili, so he proposes suddenly to Mado. She's delighted, but the day before the wedding, Lili returns to give Robby another look. In the background, a Yank who was a soldier in France in World War II returns to Paris and tries to recapture the love of his wartime sweetheart, Robby's mom.

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