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Katrin Seybold Film GmbH
Die Widerständigen "also machen wir das weiter" 2015
‘The films I make have to get made, because when these people are dead they’re dead and all we’ll have left are Gestapo records, the records of the perpetrators. We can’t accept that.’ This quote graces the beginning of Katrin Seybold’s last film which was finished by her long-standing friend and colleague Ula Stöckl following Seybold’s death on 27 June, 2012.
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Die Widerständigen - Zeugen der Weißen Rose 2008
This is the first comprehensive documentary portrayal of the White Rose, the movement led by Munich students and their spirit of resistance to the Nazi regime. Companions, girlfriends, brothers and sisters tell the story of how they supported the distribution of tracts, how they survived Gestapo interrogation and courtroom trials in the Nazis’ Volksgerichtshof.
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Ludwig Koch - Der mutige Weg eines politischen Menschen 2000
Documentary film.
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Nein! Zeugen des Widerstandes in München 1933-1945 1998
Documentary film.
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Mut ohne Befehl - Widerstand und Verfolgung in Stuttgart 1933-1945 1994
Documentary film.
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The Lie 1987
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King Kongs Faust 1985
Berlin Film Fest 1984. The best place for every cinema fan. Everyone wants to be in on the festival, but that may be really difficult, if one has no accreditation. Also Journalist Matthies gets to know the rules of being in or out when he wants to see a screening and is not welcome. Thus he watches an old German silent flick which he is barely interested in. The next day the newspapers are full of reports about a newly discovered German masterpiece from the silent era. It seems that Matthies had luck. He just saw *the* film everybody is talking about now. Also everybody is speculating about its director, who remains unknown. When Matthies talks to Ackrewa, an old befriended projectionist, about the film, the latter seems to recall the name of the director. Matthies decides to research the case. An odyssey into film-history begins and if it is successful Matthies will come up with a top story.
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Es ging Tag und Nacht, liebes Kind. 1982
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Wir sind Sintikinder und keine Zigeuner 1981
The nine-year-old Sinti girl Brigitta shows us her world. She lives with her family in a caravan site on the outskirts of a small Bavarian town. Everybody still speaks Romani and continues to live by the customs handed down. That means that the children take part in adult life and that the very highly respected parents describe how it used to be. In this community, all age groups live together naturally. For these Sinti, `gypsy' is an insult. At school they are taught there are two cultures, two languages and two realities: that of the Sinti and that of the Germans. While German is spoken at school, the only pupils are Sinti children. Brigitta animatedly describes the material deprivations, which are mollified by the life as `one big family'. Brigitta knows all too well where she belongs.
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Die wilden Tiere 1969
Documents a one-week meeting of radical leftist activists known as "Knastkamp" (Prison battle), which took place in July 1969 in Ebrach, Bamberg.
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