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Journey Into Dyslexia 2011    star_border 5.7
Addresses misunderstandings of learning differences and demonstrates potential in dyslexic persons.
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Lance Loud!: A Death in An American Family 2003    star_border 3.5
Eldest son Lance, of the Loud family profiled on PBS in 1973, became the first openly gay man on television and a gay icon for his generation. When Lance entered hospice in 2001 with a terminal HIV and hepatitis C co-infection, he asked original filmmakers Susan and Alan Raymond to film a final episode of the series. Lance reflects upon his days with Andy Warhol, his band The Mumps, a career as a writer and the experience of being the first reality TV star. It is a celebration of life and a cautionary tale.
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An American Family Revisited: The Louds 10 Years Later 1983    star_border 1
A ten-year update on the Loud family and their reflections on becoming the first reality TV stars. Their experience of becoming media celebrities and the parents' subsequent divorce changed them in many ways. Each family member explains how they were affected by these dramatic life events.
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The Third Coast 1981
This documentary seeks to capture the evolving character of Houston. The film pays special attention to the city’s rapid expansion—investigating not only what attracts so many people to the Bayou City but also its ongoing drawbacks, from a struggling mass transit system to alarming statistics about the use of deadly force by Houston police officers. Of particular note is footage of the premiere of French fashion designer Karl Lagerfeld’s Chloé collection at Neiman Marcus and an open casting call for Urban Cowboy (1980).
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The Police Tapes 1977    star_border 7
The Police Tapes is a 1977 documentary about a New York City police precinct in the South Bronx. The original ran ninety minutes and was produced for public television; a one-hour version later aired on ABC. Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time. They produced about 40 hours of videotape that they edited into a 90-minute documentary.
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