Medicine Woman 2016
America's first Native doctor, Susan La Flesche Picotte (1865-1915) studied medicine at a time when few women dared. She graduated first in her class and returned home to serve as doctor to her Omaha tribe. During this heartbreaking and violent time she never gave up hope. The reverberations from her shattered world continue today as Native Americans suffer from alarming rates of disease, suicide and mental illness. Like Susan, these modern day medicine women from the Omaha, Lakota and Navajo tribes are fighting a war and sharing a confident, even joyful, approach to the work of healing.

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Nebraska's Capitol Masterpiece 2014
Nebraska's Capitol is a national historic landmark ... a masterpiece of art and architecture, and the spirit of everything Nebraskan. Explore the enduring nature of Nebraska's statehouse and how its visionary design portrays Nebraska's people, its history, and democracy.

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Don't Touch That Dial 2006
A history of the early days of Nebraska television. Stories include the competition to get the first station and later the first color programs on the air in Omaha, the colorful early on-air personalities including Johnny Carson and Tom Brokaw, the tough and colorful businessmen who brought TV to rural Nebraska and the important news stories that defined the brand new medium.

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Hear That Train a Comin' 2006
Meet the crew of the Union Pacific Challenger No. 3985, the largest and most powerful steam engine in the world. This colorful documentary is a behind-the-scenes look at the conductors, engineers and mechanics who keep this fickle train running, an engaging history of steam power, and a scenic tour the Great Plains -- from Cheyenne, Wyo., through Denver and across Nebraska to the Omaha headquarters of the Union Pacific.

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The Man Who Drew Bug-Eyed Monsters 1994    star_border 7.5
This documentary celebrates the work of illustrator Reynold Brown, whose colorful and compelling art graced over 300 movie posters during the 1950s and '60s, ranging from star-studded westerns and studio epics to sensational creature features and low-budget B-movies. Art historians, writers, and movie producers discuss Brown's art within the context of the post-war social climate and an ever-changing movie industry.

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