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The Wedding Unplanner 2020 star_border 6.6
Marina is a woman in her thirties who works organizing weddings. Not because she is an inveterate romantic just because, as she says, "when people are in love, they don't care about money". Unlike her customers, she enjoys a life without ties or commitments, until the moment when she falls in love with Carlos. The problem is not only he is about to get married, but also his fiancee is Marina's childhood friend and they have hired her as their Wedding Planner.

The Rival 1956
The love triangle between a Countess, a soldier and a younger woman.

In the Eddy of Sin 1954 star_border 6
After years of detachment Alberto Valli returns to the home of Margherita, his widowed mother, with his mistress Germaine.

È arrivato l'accordatore 1952 star_border 5.5
Achille Scorzella, a poor, unemployed and hungry devil, having been mistaken for a piano tuner, happens in the home of some new riches.

Wanda the Sinner 1952 star_border 5
Wrongly accused of his wife's death, a marine officer is forced to resign and sees his life fall apart.

Pagliacci 1948
Pagliacci, is a 1948 Italian film based on Ruggero Leoncavallo's opera Pagliacci, directed by Mario Costa. The film stars Tito Gobbi and Gina Lollobrigida. It recounts the tragedy of Canio, the lead clown (or pagliaccio in Italian) in a commedia dell'arte troupe, his wife Nedda, and her lover, Silvio. When Nedda spurns the advances of Tonio, another player in the troupe, he tells Canio about Nedda's betrayal. In a jealous rage Canio murders both Nedda and Silvio. The only actor in the cast who also sang his role was the celebrated Italian baritone, Tito Gobbi, but the film is largely very faithful to its source material, presenting the opera nearly complete.

Broken Love 1942 star_border 5
The well off daughter of a tenor breaks up a romance with a helpful youth from a misunderstanding. But she continues to cover him with his gambling debts despite her delicate health.

Traummusik 1940

Der Mann, der nicht nein sagen kann 1938

Mother Song 1937 star_border 5
A romance between two temperamental singing stars. Highlights include a lengthy selection from Faust, with Gigli making a most impressive Mephistopheles. The plot takes a melodramatic turn towards the climax, with the lives of the characters mirrored in their on-stage behavior. Director Carmine Gallone was something of an expert in the field of filmed opera, as witness his Tosca, Rigoletto and Il Trovatore.

The Empress's Favourite 1936
Comedy about the love life of the Russian emperor.

Vergiß mein nicht 1935 star_border 8

A Night of Change 1935 star_border 5
Nacht der Verwandlung (A Night of Change) stars Gustav Froelich as a globe-circling aviator, a character clearly based on America's Wiley Post. While basking in his celebrity at a nighttime carnival, Froelich romances Rose Stradner, the unhappy wife of brutish Heinrich George. When George refuses to give Stradner her freedom, she takes it anyway, but her fling with Froelich is doomed to disappointment. Our hero learns the hard way that one can be in a teeming crowd, yet still be all alone. Leading lady Stradner later resettled in Hollywood, where she appeared in such films as The Last Gangster and Keys to the Kingdom.

Das Blumenmädchen vom Grand-Hotel 1934

La canzone del sole 1934

Cercasi modella 1932

The Testament of Cornelius Gulden 1932 star_border 6.5

Wrong Number, Miss 1932 star_border 5
Miss Inge Becker is a telephone operator. She makes an appointment with her unknown opera singer West. Simultaneously, Rainer, the young director of the telephone distribution, makes an appointment with him unknown Miss Lotte Schröder. The location of the meeting and sign of recognition of the two pairs are the same. An exchange with consequences cannot be avoided, as the next day the director wants to speak with Inge, because she neglects her service.

Fra Diavolo 1931
Italian-language version of the Germany-made DER TEUFELSBRUDER (FRA DIAVOLO), with different supporting cast and some scenes. Based on the Auber opera, but with generally original music by Dr. Giuseppe Becce.

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