4:44 2017
Centers on two performances; in the first, dancers Storyboard P and Okwui Okpokwasili twist and twine their bodies in a moving two-part dance of desire, pain, and regret. In the second, present-day hip-hop royalty Beyoncé and Jay-Z serenade each other as part of a live performance. The work accompanies Jay-Z's track of the same name, widely viewed as an apology to his wife, Beyoncé for his infidelity and emotional failures as a husband. A collaboration between Arthur Jafa, Malik Sayeed, and Baltimore-based Elissa Blount Moorhead, the video uses cinematography, choreography, and found footage to explore complex and constricted notions of masculinity in an insightful and moving tapestry of Black love and life.

Love Is the Message, the Message Is Death 2016    star_border 7.8
A reflection on Jafa's desire to craft a "black cinema" that is responsive to the "existential, political, and spiritual dimensions" of Black life. Comprised of found footage sampled from films, newscasts, sporting events, music videos, and citizen videos, all of it downloaded from the Internet, the clips have been woven together and set to Kanye West's anthem "Ultralight Beam." Together the images and music make for an intense, poignant meditation on African American life in the twentieth-century. This history is also the history, by necessity, of racism and prejudice.