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A Música Portuguesa A Gostar Dela Própria
Spread Through Inland 2021
Tiago Pereira invites geographer and author Álvaro Domingues for a journey through Terras da Chanfana. The film portrays a present without presuming to guess its future or longing for a gone past, looking into the question of what is a territory.
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Os Cantadores de Paris 2017
What is it like to sing a culture one doesn’t know? Cantadores de Paris comprises three Portuguese, an Italian, a German and six French, and is dedicated to cante alentejano. We brought members of the group to Serpa to blend them with local groups.
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… because I am not the 21st Century’s Giacometti 2015
“Since 2011, as an author and in a frantic and committed fashion, I record music and dance expressions of various kinds all over the country. From a great conversation with film director Inês Oliveira, who followed my work for a while, I raise fundamental questions in this film: Why do I do what I do? What is this all about? What are the relationships with the people? What differentiates me from scientific work? What is tradition?” — Tiago Pereira.
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Vamos Tocar Todos Juntos Para Ouvirmos Melhor 2012
A fictional documentary about the acceptance and understanding of the artistic deconstruction of ideas and themes that are rooted in a certain collective imagination of our society.
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11 Donkeys Fall in an Empty Stomach 2006
“Some kind of popular surrealism about people that live in Northern Portugal, their relationship with donkeys and the way they live. They are so musical that it is possible to manipulate without losing their essence...” - Tiago Pereira
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O Intendente é um lugar psicológico Release date not available
“The neighbourhood that is not a neighbourhood, the ending cycle, Lisbon that is economy, for a moment, or not. We do not know. Now we’re here, in Arroios, at the Intendente Square. The Intendente of women. They were the ones in charge, they dominate. The film brings those memories on stage, mixes them and gives them sounds and music. The neighbourhood that is not a neighbourhood, but a body, with each arm an artery, the legs ethnicities, blends. The dance of what still resists.” Tiago Pereira
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