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Department of Communication, Stanford University
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Movies
6
TV series
0
Under the Roller Coaster
2006
This enchanting film examines the true-life experience of one woman and her unique relationship to Coney Island living under the famed Thunderbolt Roller Coaster. The destruction of the Thunderbolt, one of the last remaining Coney Island icons, represented the end of an era in the amusement area's ever-evolving history. The film celebrates the Thunderbolt coaster as a piece of architecture that holds memories through which we gain insight into the history of New York and its people. Mae's story is a window onto a lost world and makes us think about the importance of place in a new way.
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A Thousand Words
2003
A Thousand Words explores a daughter's relationship with her stroke-stricken father through still pictures and 8mm footage he shot while serving in Vietnam.
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Lesbians
1986
Three politically incorrect lesbians talk about being lesbian.
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Mars in 3D
1979
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A historical production by Stanford University and the History Office of the NASA Ames Research Center presented in Blu-ray 3D Video and features footage from the 1980's NASA Viking 1 & 2 Missions to Mars. The soundtrack was created at the Center for Computer Research in Music and Acoustics (CCRMA) at Stanford under the direction of John Chowning. This disc contains bonus features including a 15 minute interview with John Chowning, William Schottstaedt and Michael McNabb.
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Seconds to Play
1976
A documentary detailing the live ABC broadcasting of a 1975 college football game from the Los Angeles Memorial Colosseum, between the Ohio State Buckeyes and the UCLA Bruins, taking us behind the scenes into the fast-paced demands and technical impediments of turning a simple sport into a mass-broadcast entertainment.
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Arthur and Lillie
1975
A film about Arthur and Lillie Mayer, 89 and 86 years old and still young. Arthur can remember being taken to the first movie show in America, in 1895; Lillie was among the first American suffragettes. Arthur Mayer reminisces about his famous publicity stunts for Paramount, his Broadway horror film theatre, and beginning the importation of great European films with Rossellini's Open City. It was nominated for an Academy Award for Best Documentary Short.
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