The Viewing Booth 2020    star_border 9
Provocative in its cinematic simplicity, THE VIEWING BOOTH recounts an encounter between a filmmaker and a viewer, exploring the way meaning is attributed to non-fiction images in today's day and age.

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Schocken, on the Verge of Consensus 2020
Salman Schocken was the King of department stores in Germany. Before WWII, he owned 22 department stores with 6,000 employees. He possessed a unique collection of 60,000 rare books in German and Hebrew and founded a modern, Jewish publishing house. He was the lifelong supporter of Shmuel Yosef Agnon and he owned the Haaretz newspaper which still survives on the border of consensus. He supported secular, Jewish culture and identified with humanist, liberal Judaism, a relic of 19th century Europe. Today, in an age of unscrupulous market economy and militant Judaism, Salman Schocken’s ways point to an alternative, perhaps not entirely lost.

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No Blood 2018
Manny is summoned by the police and shown photos of himself being watched by a girl he doesn't know. He goes looking for her, they get involved and he disappears. Or so it may seem. An Israeli story about fluid borders and troubled minds.

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King Bibi 2018    star_border 7.1
Twenty years before the spectacle of Donald Trump, Benjamin Netanyahu already understood the political benefits of a toxic relationship with the media, and direct communication with the public. King Bibi explores Netanyahu's rise to power, relying solely on archival footage of his media performances over the years: from his days as a popular guest expert on American TV, through his public confession of adultery, and his mastery of the art of social media. From one studio to another, "Bibi" evolved from Israel's great political hope, to a controversial figure whom some perceive as Israel's savior, and others - as a cynical politician who will stop at nothing to retain his power.

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Golden Boys 2016
Every week, 10 elderly gays gather in a room lighten by neon lights in the LGBT Center of Tel-Aviv. Being part of a community that sanctifies youth, this intimate space is these old gays last and only shelter, where they can age and deal with aging openly: from sexuality and body image at old age, to loneliness and to the member's condition as widowers, divorcees and-or grandparents. Instead of the typical sociological and biographical documentation, the movie follows these witty seniors and their funny dialogues in the room and gives a humoristic glimpse to the ruthless process of aging.

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