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Gávea Filmes
location_onRio de Janeiro RJpublicBR
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Eduardo and Monica 2022    star_border 7.8
On an unusual day, a series of coincidences lead Eduardo to meet Monica at a party. A curiosity is aroused between the two and, despite not being alike, they fall madly in love. In 1980s Brasília, their love needs to mature and learn to overcome differences.
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A Última Abolição 2018
A detailed retrospective of an emblematic moment in Brazilian history, the abolition of slavery, presented from another perspective. Contrary to what was preached by textbooks and other aspects of official history for a long time, it was not merely the signature of Princess Elizabeth in the Golden Law on May 13, 1888, that freed the slaves, and neither was such a gift a gift or a step in the direction of mythological racial democracy.
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Brazilian Western 2013    star_border 6.3
An adaptation of the eponymous song by Renato Russo, a famous Brazilian singer and composer who in the style of Bob Dylan knew how to delight crowds by telling stories and singing with his lyrics. Focusing on the love story of outlaw João do Santo Cristo with Architecture major student Maria Lúcia, the movie takes place in Brasilia in the early 80s. In a clash of interest, drug dealers and the police conflict with one another,while the end of the military dictatorship in the Capital of Brazil, Brasilia takes place. The wanderings and tedium of a young rocker, who lived in a city still being built, are the backdrop for this story.
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Domingos 2009    star_border 2
A look into the life and mind of Brazilian playwright and filmmaker Domingos Oliveira through his daily activities and artistic deeds.
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Noite 1985    star_border 2
Night falls when, in an elegant neighborhood of Porto Alegre, a socialite is brutally murdered. The entire police department act immediately to identify and arrest the killer. A man in his 30s wanders down a large avenue. He wears fine clothes, he walks elegantly. His broken watch reads 18:47. The man searches his pockets for documents he cannot find. Neither he can recognize himself in the objects he carries: a wallet full of bills, a theater entrance ticket, a bloodstained handkerchief. Crossing pedestrians for whom that night will be like any other, he seeks to recover his memory and identity.
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