Videoteca

We'll Have Already Forgotten 2020
In a peculiar universe that looks much like our own present, the desires, fears and hopes of a group of people fighting to survive a world that appears to be heading towards fascism unfurl. "Ya habremos olvidado" asks La Rara Troupe in this ensemble tale that questions the audience by means of the experiences of our bodies as they pass through distance and solitude.

Libertad 2019 star_border 8
The film is based on the oral testimony of Josefa Castro García, recorded in 2013 when she was 90 years old, in which she recounts her life marked by the Civil War and post-war repression. Through her narration, the students with the same age as Josefa Castro was during the Civil War, 16-18 years, have developed a cinematographic proposal in parallel to their process of shared discovery of audiovisual language.

Fucking Mine 2019
An audiovisual excavation in the mining area of Gordón (León), in the village of Ciñera, affected by the dismantling of the mining industry and the ways of life associated with it. The project has been conceived as a collective work through local groups, in which the last images of the mine are intermingled with the conversations held between women miners throughout the period 2016-2017. The resulting film adds layers of complexity to an epic reading of the class struggle, while highlighting aspects such as care work or affective components, usually relegated in the conventional narrative about the mine.

The Perfect Human 2018
Refilmed scene by scene of the short film "The Perfect Human" (1967), by Jorgen Leth, to resignify from the recognition of diversity and the multiple intertwinings with the body, affective-sexuality and mental health.

Las ciudades imposibles 2018
Between 1947 and 1949 the photographer based in the Canary Islands Bonifacio Hernández Gil made numerous photographs for the army and the colonial administration of the so-called Spanish West Africa. In his images appear new cities as scenes of science fiction movies, surrounded by the desert and half-empty, prepared to welcome the new man that the regime designed. Impossible cities that the film says from the present in the only possible way, as Calvino wrote: from the relations between the measurements of its space and the events of its past.