Videoteca

The Weeping Meadow 2004 star_border 7.5
The first part of an incomplete trilogy telling the story of the greek people. The film begins in 1919, with Greek immigrants from Odessa arriving near Thessaloniki. Led by the charismatic Spyros, they establish a new settlement in the delta of a river. The youngest of the settlers are Spyros' son Alexis and an orphan from Odessa, Eleni. A strong, almost incestuous affection develops between the teenagers, resulting in twins who are given to a foster family. Also standing in the way of love is Spyros, determined to take his foster daughter as his wife. The lovers then decide to flee the village, persecuted by their father, leading a life of exile. As Alexis joins a group of musicians planning to go to the United States, Eleni regains custody of the twins. Angelopoulos, as in previous films, looks at the sacrifice of civilians confronted by the workers' demonstrations of 1935, the rule of Metaxas' fascist junta and forced emigration to America, and finally the civil war of 1944-1949.

The Owl's Legacy 1989 star_border 9.5
THE OWL’S LEGACY is an intellectually agile, engaging, and sometimes biting look at ancient Greece, its influences on Western culture—and how many eras have reinterpreted the Greek legacy to reflect their own needs. Each of the 13 episodes is centered on a potent Greek word: from “democracy” and “philosophy” to “mythology” and “misogyny.” Marker convenes and films symposia—meals featuring wine and thoughtful conversation—in locales including Paris, Tokyo, Tbilisi, Berkeley, and an olive grove on Athens’ outskirts. Footage from these banquets is interspersed with archival materials and interviews (often featuring a stylized or distorted owl image looming in the background). Marker’s diverse group of informants includes composers, politicians, classicists, historians, scientists, writers, filmmakers, and actors. Together their contributions form a compelling (and sometimes contradictory) cultural and historical exploration for each theme.