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Bleu Productions
Spit and Ashes 2019    star_border 4
Spit and Ashes is a reimagining of the historical violence waged against women by patriarchal forces in the name of religion, medicine and family. The High Priestess embodies the wild, sexual and grotesque - the un-tamable hunger of female desire and the ultimate threat to male power. The Midwife is the spirit of all women who sought knowledge and agency over their own bodies and paid for their agency with their lives. Through a series of erotic and brutal rituals these women come together to reclaim their bodies and prepare for the fight ahead.
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Fuck Them All 2016    star_border 1.5
As a chrysalis between dream and reality, to be another body, trans, be «another with others». An intimate deconstruction into the exploration of sexualit(ies).
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Let the Punishment Fit the Child 1997    star_border 4.5
Two women are bonded by strange rituals; a blurred sense of blood relation portrayed through a game of domination, submission, voyeurism and cruel tenderness.
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The Elegant Spanking 1995    star_border 4
SM curio immaculately shot by Maria Beatty.
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A Lot of Fun for the Evil One 1994
Where art & erotica meet! Using a series of exciting sex games in which sadism and punishment are central, dark masturbation tales are portrayed. On the soundtrack, John Zorn & David Shea inter-wires with mastery magician Aleister Crowley with sound of acoustic instruments to an invigorating soundscape.
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Sorceress 1987    star_border 4.7
Dominican friar Etienne de Bourbon visits a 13th-century French village in search of heretics for the Inquisition. Despite the opposition of the local priest and the indifference of the villagers, he finds a seemingly perfect suspect: a young woman who lives in a forest outside the village and cures people with herbs and folk remedies. In the process, he discovers the cult of the greyhound "Saint" Guinefort, and confronts his own troubled past.
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Jenatsch 1987    star_border 5.5
A journalist is assigned to interview an eccentric anthropologist who has exhumed the skeleton of Jörg Jenatsch, a revered freedom fighter who was mysteriously murdered in 1639. Initially disinterested, the journalist begins to uncover unflattering truths about the national hero and experiences visions in which he seems to be witnessing events that transpired over 300 years ago. As he obsessively pursues the investigation, his personal life and his grip on reality disintegrate, drawing him relentlessly toward the fatal carnival at which Jenatsch was killed.
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