Videoteca

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¡Yo soy Boricua, pa' que tú lo sepas! 2006 star_border 10
Actress Rosie Perez makes a stunning directorial debut in this heartfelt tribute to Puerto Rican pride. She takes an in-depth look at the complex and often controversial history of Puerto Rican-U.S. relations. By turns shocking and celebratory, this wide-ranging documentary examines such rich themes of the Puerto Rican experience as family, language, and racism, all with careful consideration of historical context.

This Film Is Not Yet Rated 2006 star_border 7.1
Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.

Sorry, Haters 2005 star_border 5.7
Against the anxieties and fears of post-9/11 America, an Arab cab driver picks up a troubled professional woman with unexpected results.

Z Channel: A Magnificent Obsession 2004 star_border 7.1
A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.

Slasher 2004 star_border 6.8
A documentary on a stereotypically shady used car salesman, one who convinces customers to buy vehicles that others have deemed unfit for sale.

Cinema Hong Kong: Kung Fu 2003 star_border 6.8
Filmmaker Ian Taylor examines the impressive legacy of Hong Kong cinema -- specifically, how martial arts crossed borders and become an international phenomenon -- with the help of footage and interviews with the stars who made the genre what it is today. Director Lau Ka Leung (who helmed The 36th Chamber of Shaolin) joins in, sharing his thoughts on how certain cinematic technologies have improved martial arts films and expanded their appeal, on the set of Drunken Monkey (2003).

Waking Life 2001 star_border 7.5
Waking Life is about a young man in a persistent lucid dream-like state. The film follows its protagonist as he initially observes and later participates in philosophical discussions that weave together issues like reality, free will, our relationships with others, and the meaning of life.

Happy Accidents 2000 star_border 6.8
A comedy that pays tribute to the science fiction genre -- specifically, the sub-genre of time travel. But here the alternate reality is contemporary New York City where past and future experiences of trust, commitment and denial are cleverly put to the test. Just as Ruby is beginning to relish her first-ever healthy relationship, Sam begins muttering about being a time traveler from the year 2470.

Our Song 2000 star_border 6.6
Focusing on the bonding between three female (an African American female, a half African American half Latino American female, and a Latino American female) high school members of Brooklyn's "Jackie Robinson Steppers Marching Band" and the choices the girls face once their school closes down because of the need for asbestos removal. This film is about a host of topics, not least of which is the hard-work involved in maintaining

Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr. 1999 star_border 6.9
A portrait of the life and career of the infamous American execution device designer Fred A. Leuchter, Jr. Mr. Leuchter was an engineer who became an expert on execution devices and was later hired by holocaust revisionist historian Ernst Zundel to "prove" that there were no gas chambers at Auschwitz. Leuchter published a controversial report confirming Zundel's position, which ultimately ruined his own career. Most of the footage is of Leuchter, working in and around execution facilities or chipping away at the walls of Auschwitz, but Morris also interviews various historians, associates, and neighbors.

My Best Fiend 1999 star_border 7.4
A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.

Men with Guns 1998 star_border 6.8
Dr. Fuentes is a medical professor approaching his retirement and journeys to find old students, with sometimes disturbing results.

The Typewriter, the Rifle & the Movie Camera 1996 star_border 6.2
In a documentary about Samuel Fuller, the spectator gets different impressions about the Hollywood director and his films. The film is divided into the three sections: The Typewriter, the Rifle and the Movie Camera. The first segment covers Fuller's past as a newsman where he began as a copy boy and ended as a reporter. Part two describes Fuller's experiences in World War II, in which he participated as a soldier. The last section focuses on Fuller as director. Tim Robbins interviews Samuel Fuller revealing the director's own memories and impressions. Beside the interview, Jim Jarmusch, Martin Scorsese and Quentin Tarantino accompany the documentary with their comments.

Bali 1970 star_border 4.2
The wife of a European photographer on assignment in exotic Bali falls for an enigmatic ex patriot under the spell of a mystical death cult...

Independent Focus 1998 star_border 9
In these insightful one-on-one interviews, the industry’s biggest and brightest join host Elvis Mitchell (film authoritarian and critic for The New York Times) in front of a live audience for an in-depth look at the art of filmmaking and a discussion about their latest and greatest works.