Videoteca

location_onBangkokpublicTH

A Conversation with the Sun (VR) 2022
For Aichi Triennale 2022, Weerasethakul collaborates with Japanese artists to create his first augmented and virtual reality performance and let visitors commune with invisible ghost-like presences, encounter sick and sleeping bodies, and experience time suspended in a circle. Weerasethakul, whose previous works have brought the invisible, inaudible and untouchable into our realm of the tangible, has greatly expanded the virtual space by making use of augmented and virtual reality. Fifteen audience members at a time are invited into a dark space to roam around, experiencing Weerasethakul’s visual poetry beyond the confines of language, soundscapes of silent waves by Sakamoto Ryuichi, and interactive particles of light floating through the air... They are invited into the depths of memory and existence in a dreamlike world where the origins of life and the afterlife coexist. (Chiaki Soma)

A Conversation with the Sun (Installation) 2022
Interrogating the possibilities of an existence without his memories, A Conversation with the Sun draws on selected self-documented footage over several years – the means in which the artist has chosen to record his life since he embarked on filmmaking. Existing as a personal memory archive, these images together with published conversations between the artist and Artificial Intelligence (AI) generated cognitive specters of individuals and entities such as Jiddu Krishnamurti, Salvador Dali, the Sun, and others.

Memoria 2021 star_border 6
One morning, Jessica Holland, a Scottish orchid farmer visiting her sister in Bogotá, is woken by a loud ‘bang’. This haunting sound dispels her sleep for days, calling into question her identity and guiding her from recording studios to secluded jungle villages in an attempt to find its source.

The Year of the Everlasting Storm 2021 star_border 6.5
Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

2020 2020
Short for his website, kickthemachine.

Untitled 2019 star_border 7
Apichatpong Weerasethakul's submission to 30/30 Vision.

Railway Sleepers 2017 star_border 7
The first railway line in Thailand was inaugurated in 1893 – a sign of progress and prosperity. Shot over eight years on every active line of the country's railway system, this wondrous documentary offers an unprecedented immersion into the country's past and present.

Vapour 2015 star_border 6
The clouds descend onto a village and engulf it for a day. They touch the roof tiles, the beds, the chairs, the carpets, the grass, and the bodies, infecting everything with the fever of white stupor.

Cemetery of Splendor 2015 star_border 5.9
In a hospital, ten soldiers are being treated for a mysterious sleeping sickness. In a story in which dreams can be experienced by others, and in which goddesses can sit casually with mortals, a nurse learns the reason why the patients will never be cured, and forms a telepathic bond with one of them.

Concrete Clouds 2013 star_border 6.4
Amidst the post-economic crash, a man must return from abroad after his father committed suicide. After return home, he must confront his past and struggle to hold on to his present.

Mekong Hotel 2012 star_border 5.4
Shifting between fact and fiction in a hotel situated along the Mekong River, a filmmaker rehearses a movie expressing the bonds between a vampire-like mother and daughter.

Ashes 2012 star_border 5.4
In collaboration with Lomo, an Austrian camera company, and Mubi, a global film website, Weerasethakul was invited to make a work to launch the new LomoKino, a portable motion picture camera. Ashes juxtaposes the intimacy of his daily routine with the destruction of memories and his observations of the dark side of Thailand’s social realities.

Monsoon 2011
Made for 3.11 A Sense of Home Films project, organised by the Nara IFF Organising Committee.

Uncle Boonmee Who Can Recall His Past Lives 2010 star_border 6.7
Suffering from acute kidney failure, Boonmee has chosen to spend his final days surrounded by his loved ones in the countryside. Surprisingly, the ghost of his deceased wife appears to care for him, and his long lost son returns home in a non-human form. Contemplating the reasons for his illness, Boonmee treks through the jungle with his family to a mysterious hilltop cave—the birthplace of his first life.

I'm Still Breathing 2009
A Thai band, Modern Dog, was invited to Nabua for the making of a music video for one of their songs, I’m Still Breathing. The teens are together in the village street and start to run, some of them kicking the smoking balls and throwing them into the moving crowd. The video is a celebration of exaltation and the release of tension, echoing Thailand’s political atmosphere.

Vampire 2008 star_border 6.4
A film crew go in search of Nok Phii - a rare bird which feeds on the blood of other creatures.

Luminous People 2007
A group of people is in a boat traveling along Mekong River that stretches along the Thai-Laos border. They are running against the wind, anticipating a farewell. In the middle of the river, the lady head of the family casts the ashes off into the stream. The white dust merges with the muddy water. The boat makes a u-turn at the bridge that links two countries. The passengers are tired and start to drift off into their own world. The film disintegrates. The crew and the cast wander off in the river of simulation. The border links the worlds of the dead and of the living. The memory of an anonymous dead father lingers. The boat still moves on as the dusk arrives. Apichatpong and his crew traveled to Nong Khai, a small town near Mekong River, and recruited local villagers to participate in the project. For two days, the crew and cast reconstructed a fake ceremony and find a narrative.

My Mother’s Garden 2007
Glistening objects from a jewelry collection inspired by carnivorous plants are transformed into a colourful sea of garden creatures through hand-drawn animations of roots, insects and various other organisms. A loving tribute to Weerasethakul's mother's garden. Commissioned by Dior; first presented at Musée de l’Orangerie, Jardin des Tuileries, Paris, to mark the opening of a new set of jewellery designed by Victoire de Castellane, 27 February 2007.

Syndromes and a Century 2006 star_border 6.8
A story about director Apichatpong Weerasethakul’s parents who were both doctors, and his memories of growing up in a hospital environment.

Ghost of Asia 2005
Taking the recent tsunami in Asia as its starting point, the filmmakers have used the idea of a ghost seen wandering along the rocky coastline of a Thai island and, in a life-affirming gesture, they have invited some local children to direct the film for them, suggesting and filming the movements of the actor-ghost.

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