Inventário da Rapina 1986
Supported by the works of poet/musician Claude Miller, the film portraits a snippet of brazilian reality.

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Noites Paraguayas 1982    star_border 5
The path of Paraguayan immigrants who drive to Asuncion and then arrive in São Paulo. They are rural workers, musicians, vendors and underemployed people. Two parallel worlds: the Guarani culture and the Brazilian adventure in São Paulo juxtaposed with Paraguayan songs and the Guarani language, spoken by the main characters.

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O Porto de Santos 1978    star_border 5.5
A portrait of Santos Port, its geography, workers and the life that surrounds it, including the poor, prostitutes and the night life inhabitants.

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O Tigre e a Gazela 1976    star_border 6.5
The faces, the gestures and speech of beggars, madmen and revelers passing through the streets of São Paulo. The sounds and images are illustrated with Frantz Fanon extracts.

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Cristais de Sangue 1975
Rui arrives in a small town looking for his father, a prospector. Before that, he gets involved with Maria, who is facing problems in the family. Maria's stepfather is the head of a gang and will go to any lengths to prevent Rui from finding his father.

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We Shall Have a Childhood 1974
Arnulfo Silva, a former abandoned child, retells his childhood difficulties living on the streets.

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