One Continuous Take: Kay Mander's Life in Film 2001
Kay Mander kept training and social issues to the fore in the 1940s with her innovative documentaries. Mander, now living in Kirkcudbrightshire, recalls her life and work, with clips from many of her films.

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The Cheviot, the Stag and the Black, Black Oil 1974
In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.

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Cherry, Harry & Raquel! 1970    star_border 5.9
Harry (a corrupt sheriff) and his Chicano deputy hunt an Apache who is about to go to the authorities with the news Harry is smuggling marijuana. Harry makes love to Raquel (a prostitute) and Cherry (a nurse). The women also has an erotic encounter between themselves. Harry's boss gets it off with Raquel and Cherry, too. Uschi Digard romps around the desert naked

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Bengazi 1955    star_border 3.4
An American with a shady past joins with a morally-bankrupt Irishman to find treasure buried by Arabs in a deserted mosque in the Sahara. The situation becomes complicated when they are surrounded by Bedouin bandits.

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Debris Tunnelling 1943
A British documentary on tunneling if a building falls in ruins.

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