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Moving in Time 2023
A partnership between Matthew Bourne's New Adventures and Magic Me, the UK's leading intergenerational arts charity, Moving in Time is a heartwarming short dance film based on stories told by residents of St. Fillan's Care Home, many of whom are living with dementia.

Solitude 2023
Readings from the poets Byron, Keats, Brontë, Tennyson, Coleridge and songs from the dark repertoire of the singer Nico with portraits from the films of Philippe Garrel circa 1975 and Andy Warhol’s The Chelsea Girls and swirling electronic music from Ash Ra Tempel and new electric guitar sound track by James Creed and tracks to the songs by Graham Dowdall aka Gagarin and ex of The Faction with new images of the River Thames put together in an elegy on iconicity, vocality, finitude and solitude.

What Are You Looking At? 2022
Slyly integrating audio descriptions and captions, visual artist Angela Charles shares her story of ‘coming out’ as a blind artist after years of hiding it.

Echoes of the North: Four Chapters in Time 2022
A new film made from more than a hundred fragments of archive film, Echoes of the North transports you back to Northern England a century ago, taking its audiences down the highways and byways of northern life in the early 20th century - its industries and rural life, its wartimes and festivals, its transport, holidays, family excursions and huge, city-wide occasions.

The Birth of the Telephone 2021
Originating from footage of Thomas Watson relating the conception of the telephone, Birth of the Telephone distorts and challenges the simplicity of this account. We uncover a different type of birth occurring. Here is a device that, beneath the camouflage of instrumentality, raises questions about connection, anxiety and death.

Not Yet Out of the Wood 2021
It's not the bats' fault. Holed up in lockdown, I made a bat-head mask, I made a skeleton. I made a miniature wood by collecting twigs and moss from the local cemetery, scraping it off the gravestones. "Not Yet Out of the Wood" is a phrase that we are going to keep on hearing during our long entanglement with COVID-19. Bats have been around for 50 million years and now their habitats are being destroyed at a terrifying rate. I wanted to give them right of reply.

Walden 2021 star_border 6
After returning from a year-long Moon mission, Cassie, a NASA botanist, finds herself in a remote cabin in the woods, where her estranged twin sister, Stella, a former NASA architect, has found a new life with climate activist Bryan. Old wounds resurface as the sisters attempt to pick up the pieces of the rivalry that broke them apart.

Relic 3 2021
The fourth film in the series, ‘Relic 3’ forms part of Relic Traveller: Phase 2, a multi-disciplinary project by Larry Achiampong, which manifests in performance, audio, moving image and prose. Centred within themes related to Sanko-time, Relic Traveller takes place across various landscapes and locations; the project builds upon a postcolonial perspective informed by technology, agency and the body, and narratives of migration.

Relic 2 2021
The third film in the series, ‘Relic 2’ forms part of Relic Traveller: Phase 2, a multi-disciplinary project by Larry Achiampong, which manifests in performance, audio, moving image and prose. Centred within themes related to Sanko-time, Relic Traveller takes place across various landscapes and locations; the project builds upon a postcolonial perspective informed by technology, agency and the body, and narratives of migration.

The Silver Wave 2020
Ada Blackjack, an Iñupiat woman, was the only surviving member of an expedition to Wrangel Island in the Arctic in 1921. Ada was employed as a seamstress and cook for four explorers, who hoped to claim the island for the British Empire. However, the four men fell ill and eventually died or disappeared while attempting to seek help, leaving Ada to survive alone on the island for three long months. The words you hear in the film are unedited extracts from Ada’s diary, expressing her concern for her young son Bennett, who she reluctantly left behind in a care home.

Fabula 2020 star_border 7.7
"Fabula" is an experimental film by Jordan Baseman that asks questions about our dreams and dream experiences during the coronavirus pandemic of 2020. The film is narrated by the Harvard Medical School Dream Researcher, Dr. Deirdre Barrett. We hear Dr. Barrett discuss various dreams that she has collected through her research into Pandemic Dreams, their collective commonality, their significance and meanings, and their relevance to our times. Dr. Barrett also comments on the uniqueness of the Pandemic and the unusual dreams that have arisen as a result. The film was recorded entirely in London during Lockdown, using 16mm film and 6k digital film cameras. Time-lapse footage of clouds, are super-imposed with footage of the Thames and threaded through, layered with various shots lit by infra-red light. Fabula muses on our relationships with ourselves, one another, our environments and the meanings of our dreams while living with Covid-19.

This Camera is Broken 2019
An ageing director is making her final film: one delving into her past. Face to face with the embodiment of her younger self, the line between her present reality and the film's blur.

TEETH 2019 star_border 5
An eager couple, Charlotte and Myles, are interrogated by two Home Office agents about their spousal visa application. They endure a series of assessments that become progressively performative to attest to the legitimacy and acceptability of their relationship.

Ouvertures 2019 star_border 5
Reflecting on the legacy of Haitian revolutionary Toussaint L’Ouverture, Ouvertures follows a collective’s process of translating Édouard Glissant’s play Monsieur Toussaint from French to Creole.

Divided We Scroll 2019
'Divided We Scroll' is an eerie depiction of our intimate relationships with technology.

Outside the Box 2018
Tody is a lonely bird slaving his life away in a packaging factory. He dreams of a better life in the sunshine with someone there who actually cares if he’s tired or overworked. When a box arrives at his station, destined for sunnier lands, Tody decides to make a break for it in order to find his paradise. The factory, however, has other plans.

Heart of Darkness 2018
Written more than 100 years ago, Heart of Darkness is a tale of lies and brutal greed and of the dark heart which beats within us all. Now re-sited in a forsaken Europe, in a world which echoes Apocalypse Now, what emerges is a tale absolutely for our time. This bold re-telling of the Conrad classic is a visually rich, multi-layered work which fuses live performance with digital technology. The performers enter the stage, into uncharted territory. They are adrift with a story that they know they must tell. As they wait for the turn of the tide, the story unfolds like an animated Cinemascope graphic novel on the hanging projections screens above their heads. The heart of darkness must be found. The story is impossible to tell, but it must be told. Presented by imitating the dog. Heart of Darkness is co-produced with Marche Teatro (Italy) and Cast. Supported by Arts Council England, Lancaster Arts at Lancaster University and Theatre by the Lake.

I Don't Protest, I Just Dance in My Shadow 2017
“I don’t want to feel like it’s only me. I know it’s not only me, because there are others out there…” ‘I Don’t Protest, I Just Dance In My Shadow’ is a short visual essay film by artist animator, Jessica Ashman, about navigating the visual art and animation world as a black face in a white space. Using animation and recorded interviews of eight other women of colour artists, ‘I Don’t Protest, I Just Dance In My Shadow’ is an abstract confessional from the director herself: a visualisation of the joy, frustration, wishes and dreams of what it feels like to be a black women and a woman of colour artist, creating and existing.

Relic 1 2017
The second film in the series, 'Relic 1' forms part of Larry Achiampong's Relic Traveller: Phase 1, a multi-disciplinary project manifesting in performance, audio, moving image and prose. Taking place across various landscapes and locations, the project builds upon a postcolonial perspective informed by technology, agency and the body, and narratives of migration. In the short film, a Relic Traveller is featured apparating sites across a seemingly desolate United Kingdom. Uncovering fragments of audible data presenting clue-like testimonies to a forgotten Empire, the Relic Traveller soon finds themselves in an atmosphere that simultaneously delivers poetic moments of the sublime met with increasingly harrowing claustrophobia and tales of trauma. Thus resulting in a familiar feeling of otherness, we are invited on a journey that embodies hysteria.

More Utopias Now! 2017
2016 marks the 500th anniversary of Thomas More’s Utopia. His pioneering account of an ideal society (the original meaning of the word utopia being both no-lace and good-place) set the template for numerous literary, artistic and filmic speculations in the centuries since about the best way to imagine and order the perfect society. Its impact is immeasurable, and while the counter point, dystopia, is perhaps more familiar to our troubled times, the book’s call to imagine a better possible future has never been more relevant or necessary. My version of Utopia speaks with the voices of primary school children imagining their own Utopia. A lesson to us about the world we made for them.

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