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Ö-Filmproduktion
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West 2013    star_border 6.3
East Germany. Summer, late 70's. Three years after her boyfriend Wassilij's apparent death, Nelly Senff decides to escape from behind the Berlin wall with her son Alexej, leaving her traumatic memories and past behind. Pretending to marry a West German, she crosses the border to start a new life in the West. But soon her past starts to haunt her as the Allied Secret Service begin to question Wassilij's mysterious disappearance. Is he still alive? Was he a spy? Plagued by her past and fraught with paranoia, Nelly is forced to choose between discovering the truth about her former lover and her hopes for a better tomorrow.
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Sleeping Sickness 2011    star_border 6.4
Ebbo and Vera Velten have spent the better part of the past twenty years living in different African countries. Ebbo is the manager of a sleeping sickness programme. His work is fulfilling. Vera, however, feels increasingly lost in Yaounde’s ex-pat community. She can’t bear the separation from her 14-year-old daughter, Helen, who is attending boarding school in Germany. Ebbo must give up his life in Africa or he risks losing the woman he loves. But his fear of returning to a land now remote to him increases with each passing day. Years later. Alex Nzila, a young French doctor of Congolese origin, travels to Cameroon to evaluate a development project. It’s been a long time since he set foot on this continent, but, instead of finding new prospects, he encounters a destructive, lost man. Like a phantom, Ebbo slips away from his evaluator.
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Kinder. Wie die Zeit vergeht. 2008    star_border 4.2
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You're Not Alone 2007    star_border 5.3
Master painter Hans Moll and his wife, the television announcer Ms. Wellinek and her husband, and the German-Russian Jew Yevgenia have many things to live on: food, drink, an apartment. What they do not have is work. They all discover the yearning for a chance to start all over again and bring themselves back to life.
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Karger 2007    star_border 5.4
The film tells the story of a steel worker named Karger who is living in the Saxon town of Riesa. Personal as well as professional changes force him to turn his back on his home town that he had never left in his whole life and to enter unknown territory. On his way into the unknown, Karger has to bid many painful farewells. However, he faces them in his characteristic indifferent manner.
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Summer '04 2006    star_border 6
Sommer ’04 is a character study of a family on vacation. German director Stefan Krohmer examines the emotional abyss and problems behind the seemingly nice facade of an intact family as they experience guilt, love and jealousy.
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Neustadt (Stau – Der Stand der Dinge) 2000    star_border 4.2
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Barluschke 1998
The documentary relates how in the second half of the 20th century the agent Berthold Barluschke was first a henchman of the State Security Service of the GDR and then of the West German Federal Intelligence Service.
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Lights from Afar 1998
Berlin, the German capital again, a few years after the fall of the Wall. The city in upheaval is also changing the lives of its inhabitants. A young photographer experiences these changes as a rupture, he looks into an unclear, unsettling future and increasingly feels like a stranger in his old city. He and his friends from the generation of the children of the Wall try to find a new identity without losing the old one. Young artists who fail the profitability test of the market economy. In his search, Robert Paris ends up far away, in India. Back in Berlin, he started developing photos again - the first in years...
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Mother and Son 1997    star_border 6.7
A man goes for a walk through the countryside with his dying mother.
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Die Wismut 1993    star_border 4
Documentary about the impact of uranium mining in East Germany.
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Sammelsurium - Ein ostelbischer Kulturfilm 1992
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Stau – Jetzt geht’s los 1992    star_border 3.9
A group of young people in Halle-Neustadt moving aimlessly between the concrete blocks once built as a socialist model housing estate. Familiar certainties dissolved along with the GDR. Even though there were hardly any foreigners in Saxony-Anhalt, a dull aversion to everything that hadn’t been part of daily life until then began to spread. The general dissolution, perceived as a threat, is countered by apparently clear world views. When Thomas Heise won the “Documentary Film Prize 1992” at the Duisburger Filmwoche, the laudation ended with the assumption that the film would probably provoke disagreement. It turned out to be true.
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