Videoteca

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The Last Angel of History 1996 star_border 6.7
An examination of the hitherto unexplored relationships between Pan-African culture, science fiction, intergalactic travel, and rapidly progressing computer technology.

Memory Room 451 1996 star_border 4.5
The subject matter of Memory Room 451 is the cultural and historical significance of 20th-century hairstyles – the Afro, the conk, dreadlocks – in Black communities on both sides of the Atlantic. Akomfrah has disguised this exploration as a science fiction story – in the manner of the groundbreaking writers profiled in The Last Angel of History – while providing a bravura display of the aesthetics of video art in the 1990s. The tale of visitors from the future who gather dreams from unwitting subjects in order to construct a history of the Black diaspora both defamiliarizes Akomfrah’s ongoing project and points to the danger that extracting history from memory can be a kind of expropriation.

Three Songs on Pain, Time and Light 1995
Three Songs on Pain, Time and Light is a video portrait in deliberately unbalanced colours, made by Trevor Mathison and Edward George and produced with Black Audio Film Collective.

Seven Songs for Malcolm X 1993
The Black Audio Film Collective’s seventh film envisioned the death and life of the African American revolutionary as a seven part study in iconography as narrated by novelist Toni Cade Bambara and actor Giancarlo Espesito. The stylized tableaux vivants that memorialise Malcolm’s life referenced the early 20th century funeral photography of James Van der Zee’s The Harlem Book of the Dead and the elemental static cinematography of Sergei Paradjanov’s The Colour of Pomegranates.

A Touch of the Tar Brush 1991
Black filmmaker John Akomfrah believes that, for too long, being English has meant being white. In an attempt to show Englishness from the point of view of mixed-race English people, he visits Liverpool, one of England's oldest multicultural communities.

Mysteries of July 1991
Mysteries of July begins with the enigmatic death of young males in police custody. The film enacts an elaborate ritual of cinematic mourning that indicts the...

Who Needs a Heart 1991
The tumultuous life of the controversial 1960s black revolutionary (and convicted murderer) Michael X is illustrated by a kaleidoscopic melding of sound and images. The radically discordant free jazz soundtrack provides a surreal counterpoint to the mix of newsreel and staged footage in this exhilarating experiment in documentary storytelling.

Twilight City 1989 star_border 7
A fictional letter from a daughter, Olivia, to her mother in Dominica is the narrative thread connecting interviews from (predominantly) black and Asian cultural critics, historians and journalists. The choice of occupation for the daughter, a researcher, perhaps strains the narrative conceit too far. Nevertheless, for an avowedly political documentary the result is absorbing.

Testament 1988
Focuses on the Kwame Nkrumah era in Ghanaian history and paints a portrait of a female African government minister forced into exile after a coup d'état in 1966. Two decades later, she returns to confront the country she left behind.

Handsworth Songs 1986 star_border 5.5
The Black Audio Film Collective’s acclaimed essay film, 'Handsworth Songs', examines the 1985 race riots in Handsworth and London. Interweaving archival photographs, newsreel clips, and home movie footage, the film is both an exploration of documentary aesthetics and a broad meditation social and cultural oppression through Britain’s intertwined narratives of racism and economic decline.

Expeditions 2 – Images of Nationality 1984
Produced while the Black Audio Film Collective were undergraduates, Expeditions 2 – Images of Nationality is the second of a two-part 35mm slide- tape text entitled Expeditions; part one is entitled Signs of Empire. The work toured England from November 1984 to March 1985, using a Kodak dissolve unit to sequence images into narrative. The soundtrack to Signs of Empire, which consisted of tape loops of musique concrete and political speeches, was amplified to create a powerful environment of dread.

Expeditions 1 – Signs of Empire 1983
Produced while the Black Audio Film Collective were undergraduates, Expeditions 1 – Signs of Empire is the first of a two-part 35mm slide-tape text entitled Expeditions; part two is entitled Images of Nationality. The work toured England from November 1984 to March 1985, using a Kodak dissolve unit to sequence images into narrative. The soundtrack to Signs of Empire, which consisted of tape loops of musique concrete and political speeches, was amplified to create a powerful environment of dread.