Thank You, Mr. Robertson 1985    star_border 7
A glimpse of the pre-history of cinema starting with the projections of Etienne Gaspard Robert (also known as M. Robertson), who used magic lanterns and other optical illusions to develop the genre of the Gothic phantasmagoria in the late eighteenth century.

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Le Cheval de fer 1984    star_border 5.1
The story of the bet of Leland Stanford , baron of the rail, on the gallop of the horse. He uses the photographer Eadweard Muybridge , who is developing a system to analyze the movement.

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The Killer Is on the Phone 1972    star_border 5.5
A woman whose husband was murdered five years previously, is stalked by his killer, who wants to eliminate her as a potential witness. What he doesn't know is that the shock of his murder caused her to have amnesia, and she doesn't remember anything.

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Mont-Dragon 1970    star_border 4.3
Because he has seduced Germaine de Boismenil, Georges Dormont is thrown out of the army by the colonel and husband of the beautiful. After the death of the Count of Boismenil, Dormont arrived at the castle of the widow with the firm intention of taking revenge. From the outset, he seduces Pierrette, the servant, revives the heart of Germaine, having gotten an appointment with the widow, he makes her naked, humiliates and leaves her. Witness of the scene, Martha, the proud orphan, throws herself into the arms of Gaston, faithful order of the colonel, to avenge her mother. George soon flouted their feelings. He then forces Germaine to reveal his attachment to Pierrette and causes a beautiful scandal.

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Billy the Cat, dans la peau d'un chat 1996    star_border 6
Billy the Cat is the title of a Franco-Belgian comic strip by the Belgian Stéphane Colman and Stephen Desberg, as well as an animated cartoon adaptation, amongst others. Both comic and cartoon deal with the everyday and secret lives of urban animals, although they take very different approaches to it, and while the characters are largely the same in both versions, the stories and situations are very different.

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