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Japans tätowierte Helden 2024
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Le tatouage - Mode ou tradition ? 2023
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Stunts: A Taste for Risk 2023    star_border 9
The amazing story of stunts, men and women who risk their lives every day on set to get the perfect action scene.
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War Diary 2017    star_border 10
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Die Odyssee der einsamen Wölfe 2016    star_border 8
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Slaves 2016    star_border 6
There are over 45 million people living in slavery around the world. More than ever before in human history. This film traces their stories. Modern slavery has many faces, more than 45 million of them. Work slaves, sex slaves, domestic slaves and child soldiers. This film traces their stories. And seeks out the perpetrators: Unscrupulous profiteers, for whom people are mere commodities.
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The Queen 2016
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Life for Life: Maximilian Kolbe 1991    star_border 6.1
The story of catholic saint Maximilian Kolbe (1894-1941), who volunteered to die in place of a stranger in the Nazi concentration camp of Auschwitz.
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Der Liebe auf der Spur 1988
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Der Italiener 1971
The lord of the castle is found shot. His sister takes care of the appropriate wake, a firearm-happy guest from Spain romps around in the walls. An Italian listens to records of Bartók. The police doesn't appear.
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Salome 1971
Schroeter's virtuosic staging of the Oscar Wilde tragedy is a complex montage of image and sound, filmed on the grand steps of Baalbeck, the ancient Roman temple in Lebanon, and interweaving Lebanese and German folk songs with the music of Verdi, Wagner, Strauss, Mozart, Bellini, and Donizetti. Elfi Mikesch, the cinematographer of Schroeter’s later films, designed the film’s sumptuous costumes. A contemporary critic for Le Monde wrote admiringly of Schroeter’s depiction of "the deadly struggle between dark Christian morality and luminous paganism.“
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Thomas Bernhard – Drei Tage 1970
This portrait of the great Austrian writer combines a brilliant monologue delivered by Thomas Bernhard and the artful film work of Ferry Radax. The location chosen for three summer days is a park in Hamburg full of huge old trees. While sitting on a white bench, Bernhard talks about dark childhood memories, his youth, and his struggles with writing. A striking element is his high praise of obstacles as "material for the brain."
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