When mobsters try to put an honest policeman on the payroll, he seeks revenge on the mob. But, he soon learns that his actions, however honest, have dire consequences.

In Lazio, four young people named Riccetto, Girasole, Lallo and Tombarolo try to make a living by stealing what they find in the tombs of the rich buried. Being inexperienced, they often find themselves in trouble or pursued by the police.

Four episodes. A pilot is ready to change sex, but the doctor made an error. A woman is searching a partner for a dance contest. A worker seduce his boss wife. A guard is too much proactive and this will cause many troubles.

After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so. Now wandering around Rome in the time of Nero, Encolpio encounters one bizarre and surreal scene after another.

Alberto Sordi directs and interprets a corrosive comedy, another "story of an Italian" that makes you smile and reflect. An arms dealer is exposed and would like to return to an honest business. But his family does not intend to give up that bloody money.

In an Italian seaside town, young Titta gets into trouble with his friends and watches various local eccentrics as they engage in often absurd behavior. Frequently clashing with his stern father and defended by his doting mother, Titta witnesses the actions of a wide range of characters, from his extended family to Fascist loyalists to sensual women, with certain moments shifting into fantastical scenarios.

Straccio, a young acrobat, wants to free his beloved Julia, held prisoner in the tyrant's castle. He designs a good plan, and develops it with the help of his three friends, Pietro, Bitonto, and Gatto Mammone. When he thinks he achieved both his ends - overthrowing Fregonese from power, and winning Julia's love - he finds that his countrymen cupidity for the tyrant's gold is more difficult to deal with.

Set during a retreat of Christian Democrat politicians who practice spiritual exercises together, it is an allegory of corrupted power. Disturbing, claustrophobic settings are the background to a series of mysterious crimes.

During a banquet, the diners begin to tell various stories to be happy. All the novels speak of betrayals and erotic adventures

The charismatic Snaporaz encounters an alluring woman on a train and pursues her through a forest. He ends up at a hotel populated by women gathered for a feminist conference, where he is an unwanted presence. Snaporaz soon discovers he’s entered a phantasmagoric world where women have taken power.

An obscure Italian magistrate suspects that a well-known industrialist commited murder, and decides to investigate him, and bring him to court, whatever it takes. But - will the magistrate have it in him to go against impossible odds, in the name of the Italian people he represents?

To gain fame quickly - three actors - Mino, Giacinto and Mirella, stage a fake murder (Mirella is the "victim"), then plan to find the "body" at the most opportune moment. Unfortunately, a real murder takes place in Mirella's apartment when a young woman named Margaret is killed. Having left abundant clues to the fake murder, Mino and Giacinto realise the only way to save themselves from jail is to find Margaret's killer. Despite the intrusions of a stupid police inspector, the two men discover she was killed by a mysterious "organization". Although every witness they try to question is killed by a hitman, they eventually unravel the mystery...

The writer, Geoffrey Chaucer, finds himself in an inn, together with pilgrims who are going to Canterbury. Since the bad weather prevents departure, the men entertain themselves by telling each other spicy stories.

A wizard of the Middle Ages, while exorcising a girl, swallows eggnog and tells two suckers various Boccaccio stories.

Luciano Persichetti is hypersensitive and convinced that he has paranormal powers. Susanna, a parapsychology student with whom he is in love, tries to help him interpret the paranormal warning messages he is receiving. When Luciano turns out to be haunted by a mysterious killer who calls himself "The Guardian Angel", Susanna discovers that Luciano's paranormal powers are not real at all.

Bearing witness to the transition from woman to man that the director experienced between the late 1990s and 2005. Cangelosi began working on the project thinking of it as a kind of visual diary that would follow him step by step through his own physical and psychological transformation. The film, reimagined in editing at the end of the director’s personal story, reconstructs it by interweaving it with part of the historical events and political struggles that have taken place within Italian society over the past two decades.