After a near-death drowning accident, a young boy's family is horrified to discover he has become possessed by a legendary demon from the depths of the lake. As the family races against time to save the boy's soul, the evil monster inside the child tears the family apart as it seeks to destroy everyone in its path.
Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or people you love, you live with, you depend on, which formed your past... The stories are about how difficult this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three girls are met at the turning point of their lives. The film is wonderful written, with few words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's important is between-the-lines. The performances are marvellous. Style and location (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.
Jude, a college professor, is obsessed with Sophie, his student. She, in turn, is intrigued by his scholarly charm. Flirtation turns to lust and the two become lovers.
In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.
After being thrown away from home, pregnant high school dropout Maria meets Matthew, a highly educated and extremely moody electronics repairman. The two begin an unusual romance built on their sense of mutual admiration and trust.
Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.