Following the success of The Long Goodbye, the Taiwan Catholic Foundation of Alzheimer’s Disease and Related Dementia has embarked on a second documentary film dealing with the plight of elderly people suffering from conditions like Alzheimer’s and other degenerative disorders resulting in memory loss. When Yesterday Comes takes the route of a compendium of four shorts by different directors.

Moody, atmospheric ghost story starring Mason as a retired tradesman who purchases an old mansion that has been vacant for 40 years because it is believed to be haunted by the spirit of a young woman who had died there. Unaware of the mansion's reputation, Mason and his wife Mullen move in and hire a young woman, Lockwood, to keep house. Soon after Lockwood's arrival, strange things begin to happen in the household, and it becomes apparent that she is possessed by the spirit of the dead girl, though Mason scoffs at the idea. On death's door and bedridden, Lockwood asks for the same doctor who treated the woman who died 40 years ago. He arrives and treats her. The next morning Lockwood is cured, and it is revealed by the police that the doctor's dead body was found in his carriage hours before the time Mason claims he arrived to see Lockwood. Convinced that not only the ghost of the girl but that of the doctor as well entered his home, Mason finally believes in the supernatural.

On his 18th birthday, Jan Wen shoots randomly at the crowds in a night market for unknown reasons. The tragic incident causes a strong impact on the lives of his family and friends, the victims and the witnesses. However, if there was a chance for them to make different choices, would the tragedy still happen? Will it be a different outcome if they all changed their behaviour at the crucial moment?

Within the walls of the former Green Island prison, political detainee A-Kuen, tells the stories of imprisonment and persecution happened in the 1950s in Taiwan. Among fellow inmates, frozen in time, he recounts his own experiences and those of his friend, A-Ching, who never made it out. Experience the time and place, and the waiting, in hope, for a chance to keep the stories alive.

A story of uprooted trees and displaced people finding ways to heal.

A man chooses to leave the city and goes back to his hometown in the countryside. However, he finds that his dream of being a farmer is shattered as the property developers have flocked into this small town in Southern Taiwan. Consequently, the farmland is taken over by holiday homes and villas, which not only look incongruous in the landscape but have destroyed the serenity. A woman who left home lives in one of the villas. She has been trapped in the house both physically and mentally until she meets the man. Their encounter is about to change everything…

Heads are lined up on the shelves one next to another, with different colors and hair styles, yet all the faces are cold and nonchalant. This is Rainbow Salon, a supplier of hair models and wigs to salons and schools. Among these countless "heads," the shop owner's wife lies in the basement of the Rainbow Salon tonight--struggling to breathe, her windpipe cut. The shop owner rushes her to the hospital and then flees. A reporter follows this case and finds that the shop owner has fled the city with his first love. As the reporter attempts to unveil the truth, an unsolved murder from the past seems to be connected to the case--and nothing is as it first appears.

"I'm interested in the topic of homeless people and… there are a lot of things in this world that do not make sense." – Singing Chen Bundled is activist filmmaker Singing Chen's fiction/verite reflection on homelessness in Taiwan.

Mentioning Diao-yu-tai evokes an immediate patriotic response in Taiwan due to the territorial dispute between China and Japan, sparked by a 1968 oil field survey in the East China Sea.

A professional hand model Ching suffers from post-natal depression and her architect husband Hsuing is unable to deal with it, driving their marriage to the brink of collapse.

Suffering from dementia, Hsia flees the brand-new apartment where she now lives with her daughter and returns to her old home, only to relive the nightmare that she has long forgotten and buried.