Jancsó’s farce, similar to the previous ones, is about our time and about death. Pepe marries into a family of mafiosi, with the father-in-law rolling in money. In a joint venture they establish the first Hungarian Prison Limited company, where there is a menu, the prisoners are residents, and they furnish the place of execution for those volunteering to execute themselves. It turns out that the first voluntary hanging should be demonstrated on Pepe. In 180 AD Emperor Marcus Aurelius is dying in Vindobona, being fed with blades of hay by uncle Miki himself, and his son Kornél Mundruczó. Kapa provides for communication: he insists on telling lies, lies and again lies. Furthermore, there are several to die and to revive, to win and to lose, and Melancholy Béla is still alive.
Lili and Pali are "chance" bank robbers, and perhaps "chance lovers" but they don't have the opportunity to pursue their relationship. With stolen money in their backpacks they are constantly on the run and everything seems to go wrong. As they seek refuge in a rundown industrial town they learn they are now famous and have been nicknamed Bonnie & Clyde. A contemporary look at youth in Eastern Europe trying to find truth in a world found on deception.
A humble Romanian actor in his 40's, hardly surviving between a complicated part in a musical, a depressed wife, and the obsession of an imminent, devastating earthquake, becomes the victim of his manipulative father.
The film has a broken meaning, the last time he was a proofreader for a book publisher, he is now unemployed. Ever since he was a child, he has always been the one who pulls the short one, and he takes the wrong one. At the beginning of the film, he finds himself in such a "bunbak" situation again, and then he decides to become a professional bunbak...
At a dusty crossroads in the Soviet Union villagers surrender their possessions - a horse, a samovar, a goat - to the state. The train which takes them away brings to the village a physically and mentally handicapped woman, barely able to speak. She makes herself bracelets of burrs and studies herself in a cracked and cloudy mirror. Befriended by very few, teased and tormented by many she seeks protection at a huge portrait of Stalin.
"Why can I not let go of control and live spontaneously?" Kiki's question triggers the game, she shares roles and sentences with the psychodrama group to play the scenes from her life.
