Set in '50s Spain, a young man leaves the army and looks for a job so he and his fiancée can get married. He rents a room from a widow, and shortly begins a torrid affair with her. The fiancée figures it out and decides to win him back by offering herself to him and taking him to meet her family. Ultimately he has to make a decision. Based on a true story.

Begoña is a thirty something consultant who has rebelled against her upper middle class background and has overdone it with sex ever since her youth. On recommendation of her psychoanalyst she keeps a video diary of her encounters using a palm-sized video gadget called "The Owl". On Christmas Eve, reluctantly, Begoña goes to have dinner with her dysfunctional family: her stern mother, her married brother and her younger sister. Soon, Begoña, the family’s black sheep, clash with her relatives. She leaves abruptly in disharmony, only her sister seems sympathetic towards her. The same night in a bar, Begoña is befriended by Daniel a solitary handsome man in his late teens. The attractive and self assure Begoña draws his attention, but when her on and off ex boyfriend Elio, and adventurous biker, shows up at the bar, an argument ensures between Elio and Daniel.

A month before he's to marry Carmen, Antonio finds a photograph of a man with his arm on her shoulder. The photograph triggers jealousy: he questions Carmen, Carman's friend Cinta, and his friend Luis who introduced him to Carmen. Cinta tells Antonio the man's first name. Carmen tells him that the man meant nothing to her, and that the photograph was taken before she met Antonio. She loves Antonio and sets out to wipe the photograph from his mind through exuberant sex, but her ploy backfires and Antonio remains fixated. Slowly he finds out about the man, and about Carmen's past. Will jealousy consume this couple or can they find a way to kill the green-eyed monster?

Three women from three different generations meet at last in a trip to a resort in northern Spain.

The life of Camarón de la Isla, the legendary Spanish flamenco cantaor, from his beginning until his death; the relationships he struck up with his wife, la Chispa, and guitarists Paco de Lucía, Tomatito and Paco Cepero…

A multi-part feature on the governing body of Spain, the Popular Party under Jose María Aznar. Themes include the bombing of Iraq, immigration, U.S. fire in Baghdad, and the manipulation of the media.

Madrid, Spring 1913. During a visit to the casino, a beautiful 20 year-old woman catches the eye of a 50 year-old rich widower. But the gamble he is about to commit is far greater than he suspects.

In Madrid, inside a middle-class apartment, through a succession of dialogues, the young Luis and Julia act as lovers, friends, brothers, husband and wife. Dos is one of the most radical examples of non-narrative cinema in cinematography, not just Spanish, but worldwide.

Madrid, Spain, 1961, during the Franco regime. Carlos, a law student who runs a film club, decides to organize a cycle dedicated to the movies of Danish filmmaker Carl Theodor Dreyer.

July 18, 1902. A woman and her daughter are brutally murdered in the Extremaduran town of Don Benito. Everybody knows the depraved town boss was responsible, but nobody dares to declare against him.

In childhood and youth, the three were "the inseparables." Luisa married Ángel, then two years later, she left him to marry Ramiro. After ten years, Ángel reappears, back from South America, broke and ill. Luisa is overcome with sentimentality and, over Ramiro's objections, takes Ángel into their house. Ángel is bitter, he and Ramiro have shifted from best friends to enemies. Luisa wants to be in love with both. Ramiro hopes he can wait out Ángel's declining health, and Luisa wants to heal Ángel through force of will. What is Ángel's plan? Observing the roiling emotions are Luisa and Ramiro's precocious young children. Who's in danger here?