After 30 years of exile in Paris, Jana travels back to Vilnius. She wants to see again the lake that Paulius, her first love, called “Walden”.

The question is, whether Katya Golubeva, an icon of the European underground cinema, determined her fate with the parts she played, or the fate of her characters affected her own fate?

A film about the creation of director Šarūnas Bartas's feature film and the mysterious atmosphere of the filming location.

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.

Marco returns to Paris after his brother-in-law's suicide, where he targets the man his sister believes caused the tragedy – though he is ill-prepared for her secrets as they quickly muddy the waters.

A mysterious foreign woman who is staying temporarily in a house there. Who she is and what her secret is are both slowly revealed in the reconstruction of a story about passion, revenge and war.

In the short film "Sharunas Bartas: where am I now" director looks for an answer to the question retrospectively and with a perspective towards the future. Reflections on meaning of life and cinema blends in as do autoportrait and portrait genres. In laconic manner director Sharunas Bartas gives quintesense of his thoughts and ideas, more importantly, his feelings and experiences. The film was initiated by Pompidou Art Centre, which recently organized Retrospective of Sharunas Bartas.

The atmosphere of a corridor between yesterday and tomorrow, where many doors open into the unknown. A series of faces, gestures and images both real and imagined time. A fragmentary narrative without dialogue depicting several people in Vilnius.

A writer leaves his upper-class life and journeys with a woman claiming to be his sister, and her two friends.

Lucas is a scientist who works near the European experimental project that focus on advanced ‘human neuron research’. The project is to transfer neuron information from one human mind to another. Lukas is chosen to connect his mind with a comatose woman he named Aurora.

A subjective portrait of the famous Lithuanian filmmaker. The film combines interviews of Bartas, talking about his films, his creative intentions, reminiscing about the beginning of his career as a filmmaker, and Coudray’s personal opinion on the director.

In cities like Paris there are countless people from Eastern Europe who have forsaken their homelands because they can see no future there. Lucia and her little daughter Marussia are two such people. They have been thrown out by the Russian acquaintances they were staying with and must tramp the streets with their trolley suitcases searching for somewhere else to live. A Russian Orthodox priest offers them their first night's shelter. They spend the second night in a homeless hostel and party through the third with a chance acquaintance. On the fourth night they sleep clandestinely in a cinema and on the fifth with a Russian artist in a hotel … Lucia is good-looking, dresses elegantly and is certainly not shy of men. This serves the mother and her daughter well. In spite of all the uncertainties in their lives, the two frequently share tender moments.

On a summer day, a man, his daughter and his companion arrive at their country house to spend the weekend. The daughter has just moved in with her father, whose attention she desires. The man is tired of his life, and does not know where to find the strength to carry on living. The woman, a violinist, is confused in her priorities - music, love or career. Despite the fact that the man and the woman love each other, their tense relationship is on the brink of collapse.

A drug smuggler is betrayed by his partner and is then forced to seek help from Russian mobsters.

A few fugitives... And a very, very long way to freedom.

A moving world of spirits and ghosts, condemned to brush against one another without really meeting since they have all emerged from a single perpetual dream: that of a young man who no longer wants to wake up, immersed as he is in this world of fascinating spectres.

Twenty-five films from twenty-five European countries by twenty-five European directors.

A group of drop-outs, losers and criminals are travelling in a stolen Mercedes seemingly aimlessly along numerous derelict houses and impassable roads to eventually end up on an old decaying state farm in Crimea, the southern tip of the former Soviet Union, where the mother, wife and daughter of one of them live. The men kill time with smoking, drinking and staring in front of them, but an undercurrent tension is brewing. On the last night they have a party that is equally destructive as their life

Two young men leave a neglected but cozy native nook for a strange seaport town Kenigsberg. There they meet two girls the outsiders like themselves. Any attempt to find a normal human contact leads to misunderstanding. Or perhaps they are also lonely and unhappy. The realities, provoking a forced individualism melt in the atmosphere of the town, on which there lies a seal of historical and human cataclysms.

The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with loud and exultant noise. Such sounds accompany the restless walk of a woman and her child across a dusty street, while Bartas’ gaze wanders through many different perspectives.

A slow, dialogue-free film about a woman's journey in Siberia.

A miniature movie, kids inhabit the landscape and communicate through the river, the sky, the air.

Rokas and Inga, a couple of young Lithuanians, volunteer to drive a cargo van of humanitarian aid to Ukraine. They cross the vast snowy lands of the Donbass region, drifting into the lives of those affected by the war.

Lithuania, 1948. War is over, but the country is left in ruins. 19-year-old Untė is a member of the Partisan movement resisting Soviet occupation. They do not fight on equal terms, but this desperate struggle will determine the future of the whole population. At the age of discovery of life, Untė discovers violence and treachery. The lines are blurred between the burning passion of his youth and the cause for which he is fighting. He will invest himself wholeheartedly, even if it means losing his innocence…

A woman in her forties tries to find her own place in life, having experienced many personal trials.

A confessional meditation on the relation between water and land, between light and dark, between past and present, between the living and the inanimate, dreams and achievements.

Upon hearing her beloved grandmother is dying, a young woman returns to rural Lithuania, where she must confront a past she’s tried to forget. Sharunas Bartas unflinchingly examines family fractures, capturing unspoken tensions and simmering resentments within a rural household isolated by geography and emotional distance.

The film is a portraiture of an old farmer at work doing his daily chores in an area that is completely flooded. The situation is catastrophic, but for the man it is only one of the many floods he has experienced in his life.

A short documentary about a small Tofalar nation living in the remote lands of Siberia.