In the Sicily of the late 1940s, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream, and set up a Sicilian production company, thanks to the help of a local bishop. They start producing one box-office failure Z-movie after the other, all with terribly bad local non-pros as actors. Covered in debts, they finally have their great chance, when a local nobleman obsessed by magic decides to invest all his wealth in the making of a movie about Cagliostro, just one year after Orson Welles' Black Magic (1949). They hire a famous American actor (Robert Englund) and start shooting "The Return of Cagliostro".

The filming of a movie about Jesus’ death deeply affects three people — an egotistical director who cast himself as Christ, the actress playing Mary Magdalene who cannot bring herself to leave Bethlehem and a TV journalist whose spiritual doubts start to consume him.

Dopo la morte del padre, Bruno, medico milanese, prende possesso di una vecchia villa immersa nella natura selvaggia degli Appennini. Non sarà un’eredità facile. La conoscenza dei vicini lo farà precipitare in una spirale di sospetti che cambieranno per sempre la sua esistenza...

An elderly man stands near a swimming pool, looking at a photo of two teenagers, with both tenderness and melancholy. His memories arise as a mixture of reality and dreams. The two young boys, who had served together during the Second World War, meet in a hotel many years later. Their meeting leads to the revival of a love that never died and is now renewed.

Weaving together fact and fiction, this docudrama performs a portrait of the often seamy underside of the city of Naples.Ferrara traveled to Italy to interview the inmates at the Naples Pozzuoli State Prison, a high security lockup for women, and with the help of a translator he allows a number of women doing time to talk about their lives before and after they were convicted. Ferrara chose to expand the short profile of the prisoners into a feature by offering a look at life in the slums of Naples and the actions of a number of law enforcement officers and social workers struggling to improve conditions for the poor, as well as adding three short fictional segments shot of digital video gear.

In his first New York City-set documentary in nearly a decade, filmmaker and provocateur Abel Ferrara uses the experience of one longtime cinema owner to chart the vast changes to the city’s theatrical landscape.

A financial struggle between owners of a go-go club threatens its future.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

The best italian film of the 90's, the most extreme and radical work since SALO', a ruthless representation, in a surreal-metaphorical key, of a civilization condemned to worshipping its own blindness. The two sicilian directors use a language free from compromise and from the traditional storyline rules: the movie is photographed in a sharp and very contrasting black & white, with no beautiful pimp music, and lacks a logical story. There are no women (the ones we see are actually men), and the language is strict sicilian dialect. The directing style is characterized by long fixed shots on a post-atomic world, which is really present-day Palermo, inhabited by fat people in socks and underwear who burp and fart while roaming around smelly alleyways and waste dumps.

In a room there's a man with zippers all over his body, which he uses as pockets to store various surprising items. When a mouse accidentally gets "under his skin", the hunt is on!

Tommaso is an American expat film director living in Rome with his young wife and their daughter. Disoriented by his past misgivings and subsequent unexpected blows to his self-esteem, Tommaso wades through this late chapter of his life with an increasingly impaired grasp on reality as he prepares for his next film.

Abel Ferrara headlines a film retrospective and a series of concerts in France dedicated to songs and music from his films. Preparations with his family and friends will form the material of this self portrait, showing another side of the director of legendary films BAD LIEUTENANT, THE KING OF NEW YORK and THE ADDICTION. Ferrara is joined on stage by past collaborators, including composer Joe Delia, actor-singer Paul Hipp and his wife actress Cristina Chiriac for concerts at the Metronum in Toulouse and the Salo Club in Paris in October 2016.

Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.

Clint is a dead man who lives alone in a frozen tundra. However, this isolation cannot bring either evasion or peace. One night, he begins a journey where he must confront his dreams, memories, and visions, crossing the darkness into the light.

In northeast Italy is the Tagliamento River, tucked away almost like a secret spot on the border between Veneto and Friuli-Venezia Giulia. This documentary is a poem to that river and the people of the region, spirited, storied, and naturally beautiful.

Vivid mosaic/portrait of Rome’s biggest public square, Piazza Vittorio, featuring talks with African musicians and restaurant workers, Chinese barkeeps and relocated eastern Europeans, homeless men and women, artists, actors, and many others.

An account of the life and work of the legendary cinematographer and director Carlo Di Palma (1925-2004) and an emotional journey into the greatest moments of cinema, from the Italian neorealism to the masterpieces of Woody Allen, commented by prestigious figures of world cinema.

The King of Games - when a car accident results in death, the uncles suspect fowl play and want to investigate. Massimo is asked by the detective covering the case to keep a watch on the uncles and prevent them from interfering in the investigation.Tiziana, Massimo's server, is having second thoughts about her upcoming marriage. Massimo figues it out and shares his theory with the Detective.

In the northeast of Italy, the workers of a lingerie factory are about to be fired. Not far away, a handful of nuns, skilled in the art of embroidery and devoted to the Blessed Armida, risk being removed from their beloved convent. To oppose a destiny already marked, workers and nuns join forces and start a "business" outside the rules in the hopes that a miracle will help them keep the convent and the factory.

One morning a man wakes up in his bedroom and begins to work on his computer. An attack of itchiness prevents him from concentrating on his work.

Maria lives with her 18-year-old sister, Caterina in a small apartment, tutors her at home, lets her out only for dance classes. Yet Maria sees no reason to hide her work as a prostitute from her sister. Men come in and out of the apartment constantly, and Caterina turns up the volume on her music to drown out the sounds from the next room. The film soon reveals that the sisters are in love with each other, a situation that cannot stand, but exactly what prompts the characters' behavior is rarely clear. Soon after Caterina's belated discovery of her heterosexuality, she is invited into the bedroom with Maria and a client.

The impossible love between one prostitute, managing a bunch of handicapped prostitutes, and the homosexual Adamo. In the horrible suburb of Napoli we can follow among fantasy, mythology and reality the absurd life of the protagonists.