"I am" tells the story of Kundel, a boy searching for his place in life, his identity. After running away from an orphanage where he is treated as an outcast among outcasts by both his peers and the adults in charge, and being rejected a second time by his alcoholic mother, who had earlier abandoned him, the resolute 11-year-old finds a "home" on a deserted old barge on the outskirts of his hometown. He is still an outcast, but he is an outcast on his own terms, rejecting both patronizing charitable gestures and coercion by local thugs. In the process he makes one true friend, a girl from an affluent family who is also an outcast, despite living in material comfort.

Ksawery is a young gay man who performs as drag queen in a Warsaw nightclub. Karolina is Jewish and seems to be his agent. Jan is Ksawery's lonely grandfather, who's been hiding a dark secret which the couple wants to reveal.

A story about love and hatred, about those who cheat and who are cheated, about violence and sex and surprising secrets which we learn within these strange twenty four hours.

The lives of a Hassidic young man (Yoyli) and a Polish young woman (Mariola) intersect when they find themselves secluded in a car after he offers her a ride home. This, after Yoyli and his mother picked her up from a street corner in Williamsburg, Brooklyn, where Polish, immigrant women wait to be taken to Hassidic homes to help with the cleaning of their house. In the movie they negotiate the labor at $8 an hour. After scrubbing and scouring for a bit, and after observing a world that is completely foreign to her, Mariola succumbs to the toxic fumes of the cleaning agents and falls and faints. After regaining consciousness, she leaves the house in an angry huff. At the prodding of his sister and father, Yoyli goes out to find her and offer her a ride. She accepts not realizing the differences of their worlds that would place the two young people in a tense and heated situation that is never fully resolved.

The story unfolds about the murder of an old man living in a remote village and six locals who may have been connected with the murder. Things get messy when the dead man turns out to be an ex convict. The accused ones find it very hard to deal with the preconceived attitude. The villagers, led by the families of the accused, have to fight for their innocence.

Affected by the powerful images in the pamphlet Om kriget kommer (If war comes), farmhand Karl-Göran Persson begins fortifying his house. Through years of harvesting scrap-metal, he transforms the house into a fortress, meant to protect him and his neighbors when the enemy attacks. As the task progresses, reality and the threat of future destruction become intertwined, and construction becomes an obsession for the lonely Karl-Göran.

11-year-old Mickey House is no longer a child. But who is he? He doesn’t know. He’s friendless. He doesn’t understand his mother. He hates what’s happening to his body. Reality and imagination come together in a toxic mix. Events escalate to extremes… at home and at school. Mickey has to find the strength within him to put a stop to what’s begun. Where will his encounter with his own maturing body take him?

Karol Radziszewski reconstructs Ryszard Cieślak’s biography on the basis of surviving fragments of performances, recordings of rehearsals, letters, and interviews. He hires a group of young men and tasks with attempting the famous final scene from The Constant Prince.

Emeryka loses control of her life through the intrigue of a mysterious character named The Something and is led to an adventurous escape to a female sect, for which she has to leave her daughter behind. It is a story about the right to choose how each person defines themselves in terms of gender and sexuality.

Gerda meets Little Robber Girl in the Berlin subway. There’s only ten, twelve hours until they’ll part ways. The mutual interest turns into love affair and all that ends in the morning. But still there’s a sea of the city to float by night.

A movie about the power of thousands, the courage of hundreds and friendship of a few, thanks to whom a change of fate of millions became possible. Poland, lower Silesia, the beginning of a very cold winter 1981. After a series of entrapments by the security service a confrontation between the opposition and the communists seems to be inevitable. Just before the proclamation of martial law a group of young solidarity activists decide to play va banque and organize a rash action to take out 80 million of the union money from one of the Wroclaw’s banks before the account is blocked. Security service officers follow their steps. It’s the beginning of a gripping tournament in which also priests and curb dealers will play their parts. Each side has aces up their sleeve.

A collection of portraits presenting characters who try to face their own numbness in internal conversations.

On the last day of 1999, 20-year-old Sebastian locks himself in a TV studio. He has two hostages, a gun, and an important message for the world. The story of the attack explores a rebel’s extreme measures and last resort.

After fun-loving metalhead Jacek is disfigured in an accident at work, he becomes the first person in Poland to receive a face transplant. This leads to his status as a media spectacle and martyr, all while battling ensuing identity issues as a consequence.

An exceptionally gifted teenage boy is about to start studying physics at university. He is working on the theory of parallel worlds, which are linked, he initially believes, by light. He has an extraordinary mind and a wounded soul, which his mother, who steers his life, is incapable of healing.

The story is composed of fragments of lives lived in northern Scania. Some of them are mundane, while others border on the magical. But like shadows over the landscape, some protagonists are distinguished: Beata, a seasonal worker who comes to Sweden for the first time; Aaron, a young man with a broken heart returning to the place where he grew up, and Billie, a girl lost in her first summer vacation. As the film follows their lives, which slowly merge with the landscape.

After “Heat”, it is the second short feature film directed by Agata Trzebuchowska, who is known as the leading actress in Paweł Pawlikowski’s “Ida”. Her proposal is unobvious and intriguing cinema, full of understatement, tension and a peculiar, inimitable atmosphere. The protagonist of “Vacancy” is Anna (Agnieszka Podsiadlik), a quite ordinary resident of a gated housing estate. One day, the woman takes a look inside an unfinished house opposite her own and makes a spontaneous decision to stay there. She begins to observe her family members and neighbours form her hiding spot. Not only does she discover their lesser and greater secrets but, above all, learns more about herself.

Unfolding in a secluded Polish village 'Z daleka widok jest piekny' (It looks pretty from a distance) is a love story between a scrapper and a young woman. Seen through the monotony of everyday life the film depicts the hardships of a rural community in present-day Poland. The bucolic landscape becomes the seemingly idyllic backdrop from which a sudden disappearance disrupts their once quiet community.

Twelve hours in the protagonist's life. Her harmless fantasy transforms into a completely altered reality. It begins with a physical change to her body. A feeling incessantly torments her. She's going to have to confront her interior world and check whether it's real.

An event, which main attraction is the dance marathon, has gathered crowds at the market square of the provincial Polish town. Impressive prizes compete with another attraction: the concert of the star singer Jessica. A local outsider Christian falls for the singer. Soon he discovers that her life is far from being a dream and decides to win her heart. In the crowd of marathon contestants we will meet many individuals who dream of winning the main prize for various motivations. Who will turn out to be the winner? Will there be a prize at all? Because two small-time crooks, Simon and Silvio, are lurking around. And why this persistent notion that our life is so often influenced by miracles...?

Ogrodowa Street in Lódz - just opposite a crowded shopping center, a state-of-the-art museum and a posh hotel - is where some of the city's poorest live, completely forgotten by the world. A heart-warming and funny portrait of people excluded from the mainstream of social life; people who might be more capable of sacrifice and love than those who pushed them to the sidelines of society.

An impressionistic, black-and-white portrait of the day-to-day of a nonagenarian woman as she experiences the final act of her life. Danuta Szaflarska stars as Aniela, who lives in a massive yet rapidly-deteriorating wooden house, filled with souvenirs and treasures of eras gone by. Aniela runs into conflict in her dealings with others, particularly a nasty neighbor who sees her property as an eyesore and wants to do everything in his reach to buy it up and tear it down, and her married adult son, who - though kindly - triggers paranoia within Aniela (she cannot help but believe that he is scheming and planning to wheedle the property away from her). Driven aback by these individuals, Aniela finds one of her only sources of comfort and reassurance in her daily talks with her dog, Fila - and develops a great affinity for spying on the neighbors' doings whenever boredom creeps in.

"Influence" is a story about the key events of the Wielkopolska Uprising - a dramatic arrival of Ignacy Jan Paderewski in Poznań, and the people who prepared the uprising, fought in it and won. "Influence" uses the characteristics of action and thriller movies. Refers to the cinema era - German expressionism, and the atmosphere of the era - the pervasive sense of the end of old world and the birth of the new one, fear of change and at the same time striving for it.