Marie Kaufmann has to face an unusual interview that decides not only her own fate.

A disaster-movie made in Germany.

A group of German boys is ordered to protect a small bridge in their home village during the waning months of the second world war. Truckloads of defeated, cynical Wehrmacht soldiers flee the approaching American troops, but the boys, full of enthusiasm for the "blood and honor" Nazi ideology, stay to defend the useless bridge.

You can’t choose your family – which is why Conrad limits his visits with his parents to an absolute minimum. When venomous, irritable Carl injures himself seriously in a fall, his reluctant son Conrad and the butt-of-all-jokes Jonas has no choice but to move back into his old childhood room. Three generations under one roof: a chance for reconciliation – or a total disaster?

In the summer of 1807, Clemens Brentano stumbles into the most extreme love affair of his life. The woman, who, aged barely 17-years-old, throws herself at him with such terrifying brutality, is called Auguste Bussmann.

The story of Marie Ward, a religious woman from a devout, aristocratic Yorkshire Catholic family who lived between 1585 and 1645 and moved to St. Omer in Walloon France, where she joined the Order of St. Clare, later returning to England to found her own order and devote her life to helping others.

Klaus Berger is a committed journalist who reports to the local department of the Erfurt daily newspaper. Since the death of his wife, Klaus alone is taking care of his eleven-year-old daughter Anna, so that he has his hands full with his job and child care. He does not have enough time for Anna. A woman who could take something away from him is missing in his life. But when Klaus falls in love with the attractive lawyer Judith Wagner, there is a not small problem: Anna can not stand the self-confident lawyer. The tide turns when the two "women" come closer thanks to their shared passion for sailing.

Emma returns home to Cornwall to her father, Ben Litton, a successful albeit rather self-centered painter. Emma is reluctant to be welcomed by her father and will leave her there for a week after her arrival. So Emma remains lonely again until Robert, the gallery owner, wins her heart.

After the death of his wife, successful author Seefeld has retreated to a lighthouse on the Irish coast. His nervous publisher is waiting in vain for a new bestseller and sends a spy: psychologist Carolin is to find out what Seefeld is up to. She disguises herself as an ornithologist - and the outcome is immediately clear to all connoisseurs of schmaltz.

Following a man's confession of the murder of a prostitute and the arrest of an innocent man, a Catholic priest finds himself in a profound moral dilemma because he is bound by the seal of confession. In order to help the wrongfully arrested man, the priest takes up the investigation and puts himself in great danger.

Based on the classic 19th century tale by German writer/composer E.T.A. Hoffmann, the film investigates the tale's themes of obsession and madness, emphasizing expressionist imagery and theatrical style. The story relates the life of the young student Nathanael, whose childhood memories are haunted by a sinister man. As a child, Nathanael believed this dark figure to be the mythic Sandman, who puts children to sleep by stealing their eyes. When confronted by this same evil presence as an adult, he is pushed toward madness as he tries to confront his childhood fears.

When Michael Rosenzweig, a working-class German Jew, is charged with the murder of a neo-Nazi leader, he and his family find themselves fighting for justice in the face of a brick wall of prejudice.

An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.

Baal, a young artist whom society regards as a genius, does not want to be monopolized by the culture and business.

Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly mentally ill. Ruth dreams in black and white, sometimes of her suicide. Olga lectures on a 19th-century writer, von Günderrode, a suicide after the breakup of her intense friendship with Bettina Brentano. Ruth's husband Franz encourages the women's friendship, then, as Olga draws Ruth out and the friendship deepens, he becomes jealous. After the women travel to Egypt, Franz has a tirade. Ruth seems crushed between her husband and her friend, and how she responds is the film's climax.