Late 19th century in Alexandria. Two traditionally rival Turkish families, "Seferoglu"s and "Tellioglu"s are competing for the "Green Valley". The winner will be determined by Daver Bey, who has a beautiful young daughter, Leyla. Both families try to arrange a marriage between a man from their family and Leyla, so that Daver Bey will be inclined to give the green valley to his "relatives". Tellioglus, who are behind in the race, desperately find a final solution: They will fake their idiotic butler, Saban, as the highest ranked Ottoman soldier in Egypt: Tosun Pasha.
Coming from village to the town to work as construction worker,Ibrahim (Ibrahim Tatlisis) , married Emine (Serpil Cakmakli ) daughter of Gulbahar (Suzan Avci) who sells her body for a living but some people are not happy..
Seyit, a resourceful doorman of a middle class apartment in Istanbul, finds himself in a struggle for power when the new superintendent decides to crack down on his slack attitude.
Sait, who is in love with Sevim, a football enthusiast, starts playing football to catch her attention. When Sevim mocks him, Sait gets angry and decides to become a football player.
Two rebels battle an evil king in a fantasy medieval Turkish kingdom. Identifying tattoos, galley slavery, stoning, beheadings, sword fights abound. A disneyesque fantasy history yarn, except for the rather extreme violence.
The lawyer falls in love with the singer Melek, who is new to town. He goes to listen to her every evening. He offers all kinds of gifts to persuade the woman, but this woman who adorns his dreams never gives him the answer he expects.
The film deals with the migration from the village to the city with a realistic narrative. The immigration phenomenon described in workers' hands in a factory refers to both the modernization process in the period and the unionization. Hacer emigrates to Istanbul with his father, two children and his wife. Her husband left her and she was a helpless. Hacer was influenced by the union of the working factory, who owns the crippled friends. Hacer thought very much about to traditions versus modernization. It is the last of the film of director Ömer Lütfi Akad's Bridal-Wedding-Recoup trilogy. And it is still the inaccessible film of Turkish cinema history with its movie theme, cast, and acting success.
