This documentary premiered at the Kennedy Center in Washington, DC. Explore the challenging world of the screenwriter with renowned industry writers.

Widely thought of as “a woman’s director,” legendary film director George Cukor is profiled with the use of film clips and interviews with his friends and colleagues to provide a picture of the director’s unique accomplishments and to trace the arc of his career.

A Shakespearian actor starring as Othello opposite his wife finds the character's jealous rage taking over his mind off-stage.

A housewife, increasingly disenchanted with her homemaker role, looks for new meaning in her life and organizes a discussion group, changing the lives of her six closest friends.

From 1915-1939, Frances Marion was one of the most powerful talents in the movie industry. In one of the most liberating eras for women in film, she wrote more than 200 movies and was the world's highest paid screenwriter - man or woman. Kathy Bates gives voice to Marion's words from her letters, diaries, and memoirs. Includes commentary by silent film historian Kevin Brownlow, critic Leonard Maltin, and Marion's celebrated biographer Cari Beauchamp. Current women filmmakers reflect on the legacy left to them by Marion and the pioneering women of early Hollywood.

Using rare footage and exclusive interviews with filmmakers from all over the globe, "Reel Herstory" corrects the historic notion that women behind the scenes in motion pictures held peripheral careers compared with their male counterparts.

Two literary women compete for 20 years: one writes for the critics; the other one, to get rich.

Former radio singer Kay learns from her gossipy friends that her husband, Steve, has had an affair with chorus girl Crystal. Devastated, Kay tries to ignore the information, but when Crystal performs one of her musical numbers at a charity benefit, she breaks down and goes to Reno to file for divorce. However, when she hears that gold-digging Crystal is making Steve unhappy, Kay resolves to get her husband back. The Opposite Sex is a remake of the 1939 comedy The Women.

New York urologist Harold Lear gets a taste of his own medicine when he suffers a heart attack and is confronted with a medical institution which doesn't seem equipped to help. Wife Martha steps in to fight the system and get a measure of service and compassion. Ultimately the greatest battle is not waged against the medical profession, however, but against Lear's own failing body and his own mortal fears.

A rich, young beauty, Louise Durant, follows the man she loves and hopes to marry to Zurich where he studies violin at the conservatory. A piano student at the conservatory falls madly in love with Louise. The violinist loves his music first and Louise second. The pianist loves Louise first and his music second. Louise must ultimately choose which man she wants.

Agatha has fond memories of her romance with college president Dr. James Merrill, when she was a student and he was her professor, and wants to see if there is still a spark between them.

An opportunistic young Hollywood singer, loyal only to himself, steps on everyone he meets in order to achieve success and fame.

A woman attorney and her young associate defend a wealthy contractor accused of murdering an ironworker who was having an affair with the contractor's daughter.

Ma Galestrum (Connie Gilchrist) is a boardinghouse owner whose tenants are a group of aspiring boxers. When her young niece, Judy (Jean Rogers), comes to stay for a visit, college dropout Ken Burke (William Lundigan) and Swedish janitor Ole (Dan Dailey Jr.) immediately fall for her charms. Ken considers going back to college for Judy, but his fight promoter is less than thrilled with this idea. Meanwhile, Ole is determined to meet Ken in the ring to vie for Judy's heart.

A divorcee decides to fight back after her hopes of gaining a promotion are dashed by her rejection of the advances of her boss, and it is only after he actually attacks her that her company and her union take notice.

A rugged city editor poses as a journalism student and flirts with the professor.

A single father falls in love with his son's schoolteacher.

A 16th-century Spanish overlord hires Thomas Stanswood (Stuart Granger) to protect his, less than eager, fiancee (Sylva Koscina) from rebels. Thomas finds himself drawn to both the fiancee and the rebels side.

Several different accounts of the same incident tell quite different stories about what happened.

At a disused railway station, three men -- a con artist, a preacher, and a prospector -- discuss the recent trial and sentencing of the outlaw Juan Carrasco for the murder of a man and the rape of his wife. In their recounting, the three explore the conflicting testimonies of the parties involved in the crimes. Disconcerting new questions arise with each different version of the event.

Based on Gail Sheehy's book, this film chronicles how a reporter for a New York City magazine decided to investigate the city's prostitution industry to find out just who was making all the money. What she found out caused a firestorm of controversy--that many of the city's richest and most powerful families and corporations benefited directly and indirectly from the illegal sex business.

In March 1970, a U.S. Army officer arrived at the Iowa farm of Peg and Gene Mullen and informed them that their son Michael had been killed in Vietnam by "friendly fire." Their determined attempts to learn more about the circumstances of their son's death are the subject of this true account film.