Documentary charting the history of the supernatural on British TV, revisiting classic ghost stories and controversial shows. Contributors include Derren Brown and Yvette Fielding.

Two impressions of New York - a city of dreams or nightmares. The Outsider: Jonathan Miller 'If you enter New York in the first place in a show business context every time you return you have to justify your existence in show business terms. If you haven't got something to sell you become almost transparent...' The Insider: Patti Smith, poet, singer, actress. 'People come to New York to see the stars, but there ain't no stars in the sky. I lived in the city and I haven't seen a constellation since.'

A documentary about the life of British satirist and founder of 'Private Eye' Peter Cook. “marvelous, engrossing tribute” Allison Pearson, The Observer “painstakingly constructed.. sharp yet sensitive” Victor Lewis-Smith

A study of absurdity in a suburban family: father recreates the Old Bailey in the living room while the son teaches speak-your-weight machines to sing in the attic.

Journey into "Hamlet"-the play and the man-through the experiences of some of the major actors and directors who have brought Shakespeare's great tragedy to life. Christopher Plummer, David Tennant, John Nettles, John Simm, Sir Trevor Nunn, Franco Zeffirelli, Philip Saville, and others explore the enduring appeal of the Prince of Denmark more than 400 years after his stage debut.

TV documentary tracing the life of the comedian and satirist from his school days, through the Cambridge Footlights, to Beyond the Fringe and his partnership with Dudley Moore. With contributions from Cook's school friends Peter Rabey and Jonathan Harlow; Cook's first wife Wendy Cook; Cambridge University friends Tim Harrold and Roger Law; Adrian Slade (ex-president of Cambridge Footlights); Jonathan Miller; Sir David Frost; Ned Sherrin; John Bassett (creator, Beyond The Fringe); Willie Donaldson (producer, Beyond The Fringe); John Cleese; Eric Idle; Michael Parkinson; Brenda Vaccaro; John Fortune; Nicholas Luard (co-owner with Cook of The Establishment club); actress Gaye Brown; Christopher Booker; Ian Hislop; Victor Lownes and Michael Bawtree (friends of Cook); Joe McGrath; Dick Clement; Mel Smith; Clive Anderson; tv producer and executive Paul Jackson; Harry Enfield, radio presenter Clive Bull, and archival interview footage of both Cook and Dudley Moore.

A TV version of the stage show originally performed at the Edinburgh Fringe (August 1960) and in London (Fortune Theatre, May 1961) and Broadway (October 1962).

A chance to see director Jonathan Miller at work on his acclaimed staging of Gilbert and Sullivan's famous comic opera.

Pioneer photographer, forefather of cinema, showman, murderer - Eadweard Muybridge was a Victorian enigma. He was born and died in Kingston upon Thames, but did his most famous work in California - freezing time and starting it up again, so that for the first time people could see how a racing horse's legs moved. He went on to animate the movements of naked ladies, wrestlers, athletes, elephants, cockatoos and his own naked body, projecting his images publicly with a machine he invented and astounding audiences worldwide with the first flickerings of cinema. Alan Yentob follows in Muybridge's footsteps as he makes - and often changes - his name, and sets off to kill his young wife's lover. With Andy Serkis as Muybridge

Jonathan Miller visits the Regent's Park Zoo and gives his personal opinions on the animals and their enclosures.

Veteran radio, theatre, television and film actor Christopher Plummer has played a thousand parts, but beneath that elegant stage presence lies the restless heart of a risk-taker. Don't miss this engaging biography.

A summer evening in Edinburgh, 1776. The ailing philosopher David Hume has an unexpected visitor.

Originally staged (with these actors) in 1986 at Broadway’s Broadhurst Theater (appearing first on Showtime cable television in April 1987, and then for free on PBS stations' American Playhouse series in May 1988), 'Long Day's Journey Into Night' is Eugene O'Neill's award-winning and classic play about a day in the life of a dysfunctional family. Wealthy but unsatisfied former thespian James (Jack Lemmon) lives with his morphine-addict wife, Mary (Bethel Leslie), and their two tormented sons, Jamie (Kevin Spacey) and Edmund (Peter Gallagher). As nightfall approaches, truth and madness fight for control over a family tearing itself apart. A landmark production from theater legend Jonathan Miller, this searing drama is a bold, electrifying powerhouse you'll never forget. (Lemmon was nominated for a Golden Globe for Best Performance by an Actor in Mini-Series or Made-for-TV Movie the following year.)

Live from La Scala Sunday 03 February 1991

Baptista has two daughters: Kate and Bianca. Everyone wants to wed the fair Bianca, but nobody's much interested in problem child, Kate. Baptista declares that he won't give Bianca away in a marriage until he's found a husband for Kate, so all the suitors begin busily hunting out a madman who's willing to do it, and they find Petruchio: a man who's come to wive it wealthily in Padua. And Petruchio marries Kate with a plan to tame her, while everybody else begins scheming to win Bianca's hand.

A university professor, confident that everything which occurs in life has a rational explanation, finds his beliefs severely challenged when, during a vacation to a remote coastal village in Norfolk, he blows through an ancient whistle discovered on a beach, awakening horrors beyond human understanding.

Live performance at Teatro Carlo Felice di Genova, June 2004. Original stage production by Operhaus Zurich. DVD: Dynamic, live recording Cat: 33465. Nabucco (short for Nabucodonosor, English Nebuchadnezzar) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on the Biblical story and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornue. It is VerdiÕs third opera and the one which is considered to have permanently established his reputation as a composer. Nabucco follows the plight of the Jews as they are assaulted, conquered, and subsequently exiled from their homeland by the Babylonian King Nabucco (in English, Nebuchadnezzar). The historical events are used as background for a romantic and political plot.

The bitter Trojan War drags on - the Greeks blame Achilles' apathy for low morale, while Troy's hero Hector challenges one of the enemy to a personal duel. And after her father exchanges Cressida for a Trojan prisoner, the war becomes personal for her distraught lover Troilus.

Octavius Caesar (later renamed Augustus Caesar, son of the murdered Julius Caesar), Marc Antony, and Lepidus form the triumvirate, the three rulers of the Roman Empire. Antony, though married to Fulvia, spends his time in Egypt, living a life of decadence and conducting an affair with Queen Cleopatra. In Antony's absence, Caesar and Lepidus worry about Pompey's increasing strength.

Alice in Wonderland (1966) is a BBC television play based on Alice's Adventures in Wonderland by Lewis Carroll. It was directed by Jonathan Miller, then most widely known for his appearance in the long-running satirical revue Beyond the Fringe.

A historical adaptation of John Gay's 18th Century ballad opera, exuberantly performed for BBC television.

Handel's 1724 opera Tamerlano followed the success of his previous year's Giulio Cesare with another colourful historical costume drama. This time the setting is the court of "Timur the Tartar", who has just defeated the Turkish Sultan Bajazet at the battle of Angora. There are, naturally enough, romantic complications when both Tamerlano and his ally, the Greek Prince Andronico, fall in love with Bajazet's daughter Asteria. She, however, has plans to revenge her father's defeat. This production was directed by Jonathan Miller and staged in the intimate surroundings of the Goethe Theatre of Bad Lauchstadt as part of the 2001 Halle Handel Festival.

King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.

Young Jenny heads to the South of England to start a new career as a school teacher. Even before she has had a chance to settle in she meets Patrick, one of the local "lads". Within a short time she has her hands full when a number of the local boys take a liking to her. But who will be the lucky one who wins her affections?

Timon loves to give parties and objects to friends, but when he cannot pay his creditors, his "friends" refuse to help him, and he becomes a misanthropic hermit.

King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.

ENO revival of the classic Gilbert and Sullivan operetta about a small Japanese town, where Ko-Ko is appointed to the unenviable position of executioner. Knowing he must successfully perform before the appearance of the Mikado in a month's time, Ko-Ko finds a suitable victim in Nanki-Poo, who is distraught over his unrequited love for the maiden Yum-Yum. Nanki-Poo agrees to sacrifice his life if he is allowed to spend his remaining days with Yum-Yum, who is betrothed to Ko-Ko.

Bernstein's comic opera, based on Voltaire's classic satire, directed by Jonathan Miller and John Wells, is performed in a new production by Scottish Opera.

Jonathan Miller's acclaimed documentary on Clive Wearing - the man with the ten-minute memory.

This is an effective staging, though the set looks medieval and the costumes are modern. It’s well paced, well played, well sung. Jonas Kaufmann is an ideal Tito. His voice is not only beautiful and flexible, it’s also ample, retaining warmth and sweetness when he sings out. The character of Tito is too good to be true, but Kaufmann makes him intense, noble, and beliveable. Vesselina Kasarova is riviting as Sesto. Her voice is gorgeous and multi-colored, her technique exquisite, her immersion in the role complete.

Containing some of the most beautiful arias and attractive ensembles in all opera, Così fan tutte is packed with both pathos and humour. Mozart and Da Ponte's witty, compassionate examination of young love has ensured its lasting popularity. Jonathan Miller’s original 1995 production for Covent Garden is dear to the hearts of London audiences and has been revived numerous times. Necessity, they say, is the mother of all invention. With no money left for costumes, Miller has the genius idea of asking Giorgio Armani to lend a hand... This production is from Sept 2010.

Jonathan Miller set his well-known production of The Mikado, staged for the English National Opera, in a British seaside resort of the 1920s. The result, complete with a chorus of gentlemen of Japan as cartoon-like British peers, emphatically underscores the Englishness of the satire. The occasional non sequiturs, like a bunch of gentry dressed for Ascot and singing in Japanese, are loonily fun, and no more absurd than the fantasyland Japan that Gilbert and Sullivan invented. The time frame, though, seems little more than an excuse for a smart black-and-white production design.

Iago and a comrade-in-arms are outside the Venice home of Desdemona's father, who does not yet know that she has eloped with Othello. Iago confides to his friend -- who had hoped to marry Desdemona -- that he serves Othello to further his own ends. Venice needs Othello to protect its commercial interests in Cyprus where the Turkish fleet is headed. Desdemona insists on going to Cyprus, too. In Cyprus, Iago plots to convince Othello that Desdemona has betrayed him with Cassio. A lot more than political ambition seems to be motivating Iago.

The jealous King Leontes falsely accuse his wife Hermione of infidelity with his best friend, and she dies. Leontes exiles his newborn daughter Perdita, who is raised by shepherds for sixteen years and falls in love with the son of Leontes' friend. When Perdita returns home, a statue of Hermione "comes to life", and everyone is reconciled.

The first of the Amnesty International comedy benefit galas. The title is a play on the phrase at Her Majesty's pleasure (the show was performed at Her Majesty's Theatre, London). This show came to be considered part of the Secret Policeman's Ball series of shows that it inspired, although it pre-dated the first show in the series by three years. The event was organized by a team of three: Monty Python member John Cleese, Amnesty's Assistant Director Peter Luff and Transatlantic Records executive Martin Lewis. It featured the cream of Britain's comedic talent of the era, setting a precedent that would inspire many subsequent Amnesty galas...

The Met assembled a vocal dream team for Jonathan Miller’s stylish production of the eternal Mozart masterpiece: Renée Fleming as the Countess, Cecilia Bartoli as Susanna, and Bryn Terfel as Figaro. With James Levine—one of the world’s great conductors of Mozart—in the pit, Bartoli interpolating two rarely heard alternate arias, and Dwayne Croft as the Count and Susanne Mentzer as Cherubino, this is a performance for the record books.

An interpretation of Plato's Symposium as a picnic organised by a University don for his students. Each guest is asked to explain the nature of love before the Don, through a series of questions, reaches a unifying conclusion.

An Edwardian take on the Shakespeare play starring Laurence Olivier.