A true story of wartime espionage reconstructed for television by Robert Barr. In Denmark in 1943 twelve patriots who had been aiding Allied airmen to escape to Britain were rounded up by the Gestapo. British Intelligence Officers found one clue. It pointed to the traitor being a girl. With the aid of patriots from the Norwegian and Danish underground they tracked her down... and the flow of airmen escaping to Britain began again.
Scotland Yard detectives attempt to solve a spate of safe robberies across England beginning with clues found at the latest burglary in London. The film is notable for using a police procedural style made popular by Ealing in their 1950 film The Blue Lamp. It is known in the US as The Third Key.
Enemy At The Door is a British television drama series made by London Weekend Television for ITV. The series was shown between 1978 and 1980 and dealt with the German occupation of Guernsey, one of the Channel Islands, during the Second World War. The programme generated a certain amount of criticism in Guernsey, particularly for being obviously filmed on Jersey despite being ostensibly set on Guernsey. The series also marked the TV debut of Anthony Head as a member of the island resistance. The theme music was by Wilfred Josephs.
World War II drama about covert organisation Lifeline helping allied airmen escape after being shot down in occupied Europe, working with the Resistance and hiding from the Gestapo.
Hadleigh was a British television series made by Yorkshire Television which originally ran from 1969 to 1976. Developed by Robert Barr, it was a sequel to the writer's earlier Gazette for the same company. The theme music was composed by Alan Moorhouse and, from series 3, Tony Hatch.
James Hadleigh played by Gerald Harper, was "the perfect squire, paternalistically careful of his tenantry's welfare, beloved in the village, respected in the council." A "knight in a shining white Aston Martin V8, he sets about correcting local injustices." His wife, from a lower-class background, was played by Hilary Dwyer. The series attracted around 17 million viewers at its peak.