A gang of teenagers accidentally inherits a bag of drugs. They try to sell them back to their original gangster owners, but when that goes awry, they are reluctantly drawn into a protracted and bloody gang war. Meanwhile, they are neglected at home, and must deal with family abuse as well as the gangsters.
The film concerns the attempts of Fidel to resume a normal life after the devastation wrought by his wife's death. He returns to his old friend Crispin and wife Irene. A tentative effort with another woman fails, and Fidel finds himself in Irene's arms. That same evening a young girl is brutally murdered. Fidel, unable to account for his whereabouts, is named the principal suspect, which later leads to his imprisonment. Crispin, meanwhile, learns of Irene's infidelity; his friendship is put to the test when Fidel escapes, gets wounded, and asks Crispin to kill him and put him out of misery.
Andie and Ira sincerely think that they are deeply in love and ready to face the world. They attempt to tie the knot and build a life of their own. Their parents are shocked by their children's behavior until they realize their shortcomings led the kids to run away from their boarding school.
This Filipino vampire film co-directed by Peque Gallaga and Lore Reyes tells the story of an aswang, the traditional shape-shifting creature of local legend. Here, the vampire makes appearances as a giant snake, a young woman (Alma Moreno), and a withered old hag (Lilia Cuntapay). The aswang has a lengthy cinematic history, having been the subject of the first sound film ever produced in the Philippines (1932's Ang Aswang) and migrating, in somewhat altered form, to films in Hong Kong, India, Japan, and, in 1994, to the United States. Aiza Seguerra co-stars with Janice de Belen, Aljon Jimenez, John Estrada, and Alma Moreno.
The fortunes of three impoverished friends and their families abruptly change after an airplane crashes in a nearby mountain. They rush to the crash site along with all the villagers, not to help the victims but to plunder their valuables. A dead American passenger carried a large amount of money in his briefcase which Mesiong, Ponsoy, and Jamin find and avariciously keep for themselves. But the town mayor gets greedy and with his hirelings abducts the three to divest them of their booty.
Oro, Plata, Mata follows two aristocratic families in Negros during World War II. It is structured in three parts: Oro a life of luxury and comfort in the city, Plata a still-luxurious time of refuge in a provincial hacienda, and finally Mata a toilsome retreat deeper into the mountains.
