Sayo has just celebrated her sixteenth birthday when she attends a temple festival. On her way back she sees a large cherry tree which is infamous for the legend of dead white horse. When her fiancé returns from war and visits her he comes across a white horse which he takes in. The man also does not see himself engaged anymore as his family has lost its wealth.

Based on the life of Hyakken Uchida, a Japanese author and academic. The film opens with Uchida resigning his job as a German professor at the onset of WWII. The story is told mostly in vignettes as he is cared for by former students in his old age.

In a maelstrom of evil, can a new magistrate, samurai Mochizuki Koheita, with a reputation like an alley cat, bring order to the town of Horisoto, or is he, too a corrupt villain looking to gain wealth from the oppressed people? From the pen of famed samurai author Yamamoto Shugoro, this exciting tale turns the tables on the standard samurai story with a unique lead character previously portrayed in Ichikawa Kon’s “Dora Heita.”

Ashitaka, a prince of the disappearing Emishi people, is cursed by a demonized boar god and must journey to the west to find a cure. Along the way, he encounters San, a young human woman fighting to protect the forest, and Lady Eboshi, who is trying to destroy it. Ashitaka must find a way to bring balance to this conflict.

To solve the mystery of a murder of an old governess which takes place at a wealthy Daidoji family's country estate, family secrets and lies dating back several generations must be sorted out once and for all.

When his travels bring him to Osaka, Tora-san falls in love with a local geisha. He helps her to track down her estranged brother, and informs his family that he plans to marry her. His plans are foiled when the geisha informs Tora-san that she is engaged.

When his travels take him to rural Hokkaido, Tora-san helps a cantankerous old veterinarian (Mifune) in his relationships with his estranged daughter, and a woman in whom he is secretly interested.

This film stays very faithful to the original down to the smallest details, save for the kangaroo-rat that suddenly appears twenty minutes into the movie and subsequently follows Aladdin around, serving no purpose in the story but fulfilling the role of token animal mascot. The story takes some illogical and confusing jumps at the point where Aladdin begins to court the princess, and the extravagant animation that had characterised Toei films of the 60s, when Toei had the best animators around, had become a thing of the past long before this point; but this is still an above-average film, in large part because of the screenplay that stays so faithful to the original. The character designs are slightly more western-looking than one is accustomed to seeing in anime.