The second movie version, now in color, of Flemish (heimat-)author Ernest Claes' classical novel, titled after the nickname (Dutch 'the White', referring to a blond male) of the main character. The smart but naughty farmhands son's eternal mischief, pranks and disobedience drive his elders (especially teachers, family and father's grumpy employer, a rich farmer, but also neighbors and even the kind curate whose liturgical server he is) and classmates to despair in a time when a boy's punishment was still inevitable, swift and often severe; thus when his mother catches him skinny dipping she takes all his clothes home, forcing him to a long walk of shame, dreading dad's wrath all the way. This version also stresses the story's social and Flamingant aspects.
The first movie version, from the age of black & white, of Flemish (heimat-)author Ernest Claes' classical novel, titled after the nickname (Dutch 'the White', referring to a blond male) of the main character: a smart but naughty farmhand's son whose eternal mischief, pranks and disobedience drive his elders (especially teachers, family and father's grumpy employer, a rich farmer) and classmates to despair in a time when a boy's punishment was still inevitable, swift and often severe.
A local brass band rehearses for a music competition in Bruges. They are confident that a new march by a young music teacher will get them the first prize. Their chance of winning seems to get an awful lot smaller when a a fight breaks out between the chairman and the music teacher -- urging the latter to sell the march to another band.
