A TV documentary about Latvian actor Uldis Pūcītis, featuring fragments from many of his films ("Swap Treader", "Four White Shirts" and others), as well as stories by people who knew him - actors and directors, former lovers and classmates.

On June 14, 1941, more than 15,000 Latvian inhabitants, including approximately 4,000 children of Latvian, Jewish, Polish and Russian ethnicity were deported to Siberia. During this period of deportation by the Soviet invaders, the men were separated from their families and sent to the Gulag. Some were sentenced to the highest punishment, death, and the rest were kept in labor camps. The women and children were sent to the remote Krasnoyarsk and Tomsk districts. The first two years were the most difficult and many perished from the harsh conditions. Today some 400 of those deported children still live in Latvia and Siberia. This documentary describes the fate of these children.

Interviews were conducted over a seven year period with 670 people who were deported to Siberia as children in 1941. Fragments of their memories form a mosaic revealing their past experiences of losing fathers, mothers, brothers and sisters. Time heals, but nothing is forgotten and the stories must be told.

In 1941 almost 4,000 children under the age of 16 were deported from Latvia to Siberia. Some returned to Latvia, many perished, and many were left in exile, where they had their own children. Nadežda Āriņa and Anatolijs Taurenis were born in the 1950s in permanently frozen Igarka in Siberia. Their mothers had been childhood friends in Latvia before their deportation. Nadja returned to Latvia where she now sells souvenirs, but for Taurenis Latvia is still a dream. In 2007, Nadežda heads to Igarka to visit Taurenis.

Can you honestly swear that at least once in your life you have not thought that robbing a bank is a good idea? Especially, if you're five years old and that bank has just thrown your parents out of a brand new apartment, because your father has lost his job. Five year old Robby is no Zorro, but he'd like to be. His seven year old sister Louise thinks he's too childish, but can't resist the game of robbing a bank. Together they can pull off just about anything. Getting away with it is the hard part.

The documentary about Dainis Īvāns, leader of the National Awakening movement between late 1980s and early 1990s, a human symbol of the recent history of Latvia who embodies all hope, idealism, disappointment, choices, compromises, wins and losses. Eventually, he finds strength within himself to return to his roots, rather than let grindstones of history crush him, to be more than just an accidental figure in the big plan of destiny.

John is arrested on his 40th birthday, just on the day when he has realized that everything he has been doing before has increased the absurdity and senselessness of this world.

The elderly nursing home residents for years feel worthless and troublesome. But then a crazy idea strikes them - to waive their pensions and enroll in the army as volunteers thus saving the country from financial crisis and spending excitingly the last years of their lives. The oldies are wise enough at organizing this event and now real adventures begin.

A family drama.

The significance of Kurts Fridrihsons reaches beyond the importance of his art, because during the Soviet period there were not many personalities refusing to comply with the regime while at the same time being outstanding artists. The charm and lightness that Fridrihsons preserved from pre-war civilized Europe and the free, lost Latvia was a harsh contrast to the realities of Soviet life. He was a model and inspiration for many people whose spiritual world refused to accept the existing system. The greater the distance between Fridrihsons’ lifetime and the present day, the more diversely and clearly we see the aloof and exceptional power of his personality. Unlike thousands of people who excuse themselves today for collaborating with the system with phrases like “Such were the times!”, justifying their non-resistance and compliance and their role as little bolts in the system, Fridrihsons – the loner and the example for a different option – is existentially important.

Near the end of the Second World War, when it became clear that Latvia would be re-invaded by the Soviet Army, some 150,000 of its citizens fled to Germany as refugees. Among them were farmers, businessmen, government officials, intellectuals and ordinary folks who had already experienced the dreadful Year of Terror. Almost one million people from Eastern Europe sought escape from the Soviet regime. The Latvians, who became DPs (displaced persons), tried to create a “little Latvia” within the confines of the refugee camps. This film follows the fates of their children.

The story of the world-renowned Liepāja-born cinematographer Eduard Tisse, whose wife was convinced it was he who created all the famous films of Sergei Eisenstein. The creators of the film develop the story and cross the lines drawn by biography, trying to understand the magic interaction between a cinematographer and a director, between the cinematographer and the object in front of his camera.

People who were forcefully deported from Latvia to Siberia by the Soviet Union in 1941 and 1949 when they were kids. They haven't come back. Many years have passed, the dream of motherland has ended.

Andris Caune, Ojārs Grensbergs, Imants Grāvītis and Jānis Zemtautis spent many years in the Gulag camps. They survived. In 1954, a riot broke out in Jezkazan, Kazakhstan. The men’s camp and women’s camp joined together and held on for 40 days. Then came the tanks that killed more than 1,000 of them. Austra Vērpe met her future husband there. They were lucky to stay alive. The dream of the musician Zigfrīds Muktupāvels was to find the grave of his paternal uncle in far-off Kazakhstan. He was named after his uncle, who never came home. Zigfrīds and a cousin headed off into the steppes to look for a monument reading “Zigfrīds Muktupāvels.” The next round of deportations occurred in 1949, and whole families were sent to Siberia. Fathers were tried in court, a great many ended up in punitive camps in Vorkuta and Inta. Skaidrīte Jostmane and Māris Landers travelled to Vorkuta to find their father’s gravesite.

An emotional, figurative and historical study of the memories of people who were deported to Siberia as children on June 14, 1941. The suffering of these victims is presented in contrast to the beautiful landscapes of Siberia. On June 14, 2009, the film crew, some of the deported children who survived and returned to Latvia, and their children, go on a pilgrimage to Siberia to install memorial plaques in memory of the mothers and children who were deported between 1941 and 1949.

John Dored was the first Latvian cinematographer to train with the famous Pathé, actively film on the front lines of WWI, and the only foreigner who filmed Lenin’s funeral, illegally. After emigrating to the U.S.A. he worked as a correspondent for Paramount News for 25 years and continued reporting from war zones. The film is based on the correspondence and journals of Dored and his wife Elizabeth – a portrait of a stellar career and of fate, love, life and death.

Latvians have left their land for all corners of the earth over the last centuries – either driven out for disobeying the powers at large, or due to wars and revolutions, or with visions of a better life. And not always to an easier life. But there was only one place where an anti-Latvian campaign was waged, where every Latvian was treated as a spy, a traitor, and the enemy, and therefore deserved to be tortured and shot. This was during the 1937 repression in Russia, where the horror and pathologies, made Latvians into betrayers and murderers of their own kind.

The children who were sent to Siberia in 1941 have not seen their fathers – in their memories they recollect: “My father was arrested, he was sent to Vyatlag camp. He died there in March, 1942. He was not convicted. Father was tried in the autumn of 1942, when he was already dead, Moscow Troika verdict: 10 years in prison and confiscation of property...”The railcar moves along overgrown rails. For 70 years, the twelve participants of the journey have wanted to go to the places from where their fathers did not return. Among the harsh nature the tension on their faces shows.

This is a film about the return of an individual to the Far North, and to the past. Agapitova, Igarka – the vast lands of Siberia, to which Ilmārs Knaģis and 4,000 other children from Latvia were deported in 1941. In the autumn of 1942, 700 mothers and children of different nationalities were sent to the death island of Agapitova. Only 60 survived, among them six Latvian children – Biruta Kazaka, Pāvels Kliesbergs, Venta Grāvīte, Ilmārs Grāvītis, Pēteris Bērziņš and Valentīna Voiciša. The question remains: Why did this happen? And why is no one to blame?

In January 2011, Latvia commemorated the 20th anniversary of the tragic events that occurred in January 1991. Film producer Andris Slapiņš was killed, and cameraman Gvido Zvaigzne was fatally injured on the night of January 20th and died in hospital two weeks later. He was a young man whose talent had not yet fully flourished. His story, however, contains elements that make it not only possible to demonstrate his personal tragedy, but also the problematic existence of a young and creative person during an era when everything was crumbling around him. Destiny kept Gvido Zvaigzne from finishing his route, but the events and values of his life represent a model of his generation’s efforts.

A documentary about Latvian freedom fighter Konstantīns Čakste who was the son of the first Latvian president and who perished in 1945.

The year 2011 marked the 70th anniversary of the deportations of June 14 1941, when 15 425 residents of Latvia (Latvians, Jews, Russians, Poles) were deported to Siberia. Among them there were 3 751 children aged up to 16. During the process men were separated from their families and sent to gulags, where many were sentenced to death, while others were imprisoned in labour camps. The facts of history and dry and few, but many of the victims and their children and grandchildren are still among us. During the summer of 2010, people who were deported to Siberia in 1941 as children joined their own children and a video production crew to travel back to the far North of Russia.

The protagonist of the film, Viktors, after losing his eyesight not only gets over depression and sense of estrangement but goes on living a full-fledged life – he forms a relationship, finds strength and motivation for mental development. Aware of his difference from the ones who can see, Viktors does not feel unworthy and loses no hope. Instead, he perceives the inconveniences, caused by the elusive or illogical attitude of the society and lawmakers, with humor, as if they were curiosities.