Two friends who work together at a Tokyo laundry are increasingly alienated from everyday life. They become fascinated with a deadly jellyfish.

The wealthy president of a company has built up an unpayable debt to a local crime lord, and to escape punishment he sells his famous dancer wife to the lecherous old man figuring a 90 year old can’t do too much bad with her. Perhaps not, but others can while he watches. She’s put on stage in an underground BDSM sex show and begins a spiraling decent from strongly independent woman to submissive sex slave

Shangri-La follows the lives of a group of homeless people in Japan who run into a man who nearly commits suicide and decide to help him out of his financial troubles. Using their various ingenious resources they embark on a complex scheme to blackmail a crooked businessman, whose bankruptcy claim has put people out of work. It’s a fun romp as these seemingly homeless people manage to outsmart the very people who cast them from society.

Director Jun Ichikawa spins this affectionate portrait of the people who populate Shimokitazawa, a bohemian corner of Tokyo filled with small theater companies and smoky coffeehouses.

Yutaka was fourteen years old when he was run over by a car and fell into a coma. Now, ten years later, he wakes up and realizes that his family is not intact anymore: father, mother and sister live at different places. Yutaka decides to re-open the pony farm that his family once ran.

A down-and-out school teacher receives the calling to become the real life personification of an old television superhero, Zebraman.