The Portorican prime minister asks British detective Sherlock Holmes to find a twin for King Fernando XXIII, a weak and frightened man who fears anarchists and does not want to show himself in public. Holmes finds in the Czech newspapers a photo of the perfect double, František Lelíček, a daring bon vivant drowned in debt, so when Holmes offers him money, Lelíček decides to travel to Portorico and play the role.

Anton Špelec (Vlasta Burin) is a producer of musical instruments by trade but a sharp-shooter at heart. He expects to be awarded a medal at a large parade in town where veteran sharp-shooters will be honored. When the town council is one medal short, Anton must wait another year for his prized possession. He drowns his disappointment in drink at the local pub and becomes so drunk that he insults the emperor who sentences him to jail. Instead of fulfilling the emperor’s orders himself, Anton sends his employee in his stead.

The story of love, between a sturdy village boy and a gentle country girl, filmed with a movingly genuine charm.

A young inventor who has developed a television set falls in love. Early experimental sound film produced by Paramount in several versions, including a Romanian one, spoken "100 % in Romanian".

Comedy film directed by Karel Lamač.

Young music composer Viktor Honzl in vain looks for work. He is prevented from committing suicide by a technician of the gasworks who shortly beforehand has disconnected his gas due to past due bills. In the disguise of an older, serious, musical scholar Viktor obtains work in a music publishing house.

Karla, a bar dancer, shoots her lover Mayer during a break-up. She hides from the police in pianist Pavel Ryant's apartment and promises to return when she leaves. The next day, however, Karla is arrested and convicted. In the penitentiary she meets the warden, Angelika, a nun who is very much like her. She begs Angelika to lend her clothes for a few days and leaves the prison as a nun.

Postman Brabec is a welcome guest of the revue theatre for his sense of humor, and he brings his director Holt letters from female admirers every day. Holt's fans include Brabec's sister Anny. The girl would like to join the theatre, but for the time being works as a maid for the actress Velden. A new revue is being rehearsed, the name of the author is secret. Veldenová will return the role just before the premiere because she doesn't like it. The quick-witted Brabec introduces the director to his sister, who knows all the parts by heart.

The owner of the ready-to-wear store, Mr. Richard Naceradec from Zizkov, is an enthusiastic fan of S.K. Slavia and despite his wife's opposition, he goes to football every Sunday. Tailor Emanuel Habásko lives alone with his adult son Eman. Widow Ouholicková chases Krejcí endlessly, but father Habásko bravely resists. Habásko do not recognize any other club except S.K. Viktoria. One day, Naceradec will face Eman at the match between Slavia and Viktoria.

In "Fidlovacka", the name of a Czechoslovakian festival, the proprietress of a cheese factory picks a fiancé for her orphaned niece in her desire to bring aristocratic blood into the family. THe niece has also picked the man she wants to marry and isn't the the rich aristocrat.

Lighthouse keeper Uwe Bull lives with his wife Hanne and the silent assistant Jens in a secluded, small world. When the only survivor from a shipwreck, young Margot from Reeperbahn, is washed up on the island, Uwe's feelings arouses. But dark clouds appear in the sky.

«Svejk v civilu» (also known as "Svejk as a Civilian", "Schweik in Civilian Life", "Schwejk in Zivil") is 1927 Comedy film directed by Gustav Machatý, and written by Jacques Bachrach, Eduard Simácek, and Karel Vanek . Karel Noll is starring, alongside Dina Gralla, Jirí Hron, Albert Paulig, Renati Renee and Jan Richter.

“The Carpathians are medieval!” one character bellows, and this tale of the tree-chopper Petro, his faithless wife Marijka, and various scheming businessmen and foremen does little to disprove the assertion. Interestingly filmed with a nonprofessional cast recruited from the region, Faithless Marijka may have a neorealist conceit, but its direction is utterly futuristic, filled with the lightning-fast montage techniques and low-angle camera of the Soviet avant-garde (along with its invigorating agitprop).