In this supernatural-themed romance, a German woman in the between-wars period is being initiated into some kind of esoteric/psychic order and learns at that time that her ideal mate won't even be born for quite a few years. By 1936, she has moved to Greece with her Greek husband, and there she meets Alberto, a very young Greek man, a Jew, who is evidently the man she has been seeking. They are able to read each other's thoughts and do so in the midst of a sexual encounter. Despite the boy's attraction to her, he spurns her due to her age (she is forty). She commits suicide and is born almost immediately as someone able to protect her ideal mate from the Germans. Later, as a young woman, she again has a liaison with Alberto, who again spurns her due to their age differences. Flashbacks indicate that this situation has been part of their lives for many incarnations.

A medical student (Pavlos Sidiropoulos) delays his studies to become a singer in this story of a man who follows his own convictions. He becomes a street singer and finds a young woman (Betty Livanou) he wishes to marry. After the two are wed, he returns to medical school to support his wife and family. He earns his medical degree and lands a job in a hospital. When he refuses to take part in the exploitation of the patients, he is fired. He opens his own practice but later quits when he is asked to participate in another fraudulent medical scam.

Aldevaran is an imaginary city where the word-maven and poet Dimitris, the prostitute Magdalene and the rock musician Chris live together. Every evening, the two men give improvised performances in a coffee bar, until the day that Dimitris is informed by his doctors that he has cancer and only two months to live. The film is about those two months, with Dimitris wandering in an ugly city which is also dying with him.

A director decides to make a film about an old friend, musician, who died from drugs years ago and became known to the general public after his death. The present and the past confused in the mind of the director and the influences in his work.

A group of intellectuals holidaying together at an isolated beach become mentally unhinged by the presence of a beautiful English nudist.

After a long decade of separation, a rising politician accompanies his ex-wife to the airport, thirsting for closure. As both fight with their inner demons, a suicide bomber threatens them. Will they find redemption this smiling afternoon?

Taxidi Tou Melitos is about the fear that most elderly people experience: approaching death. Leon (Stavros Xenides) and Zaharoula (Betty Livanou) are heading out for their annual vacation at a summer resort. Instead of their usual carefree anticipation, their mood is subdued because their daughter has just married and is off on her honeymoon. Life is lonely without her and the couple cannot avoid the realization that death is not that far away for them. Once at the resort, Leon tries to overcome this nagging fear by taking a wild plunge in the ocean, naked, as he and Zaharoula are out walking on the beach. Taken up in the spirit of the moment, she joins him among the waves. The results, however, are not what they expected.