Die Polizistin is a documentary by Andreas Dresen about the life of a young police woman who is faced with the difficulties between her responsibilities at work and her personal responsibilities.

Eight space cargo-ships disappear without a trace within three days. And the orbit station "Margot" has suddenly fallen silent. The space council is faced with a mystery and the scientist in charge, Maria Scholl, sees no other solution than ordering a total flight stop to this mysterious sector of space. Her colleague, Prof. Tal seems to be suspicious since he knows things before they are even released. A forbidden look into his personal file brings to light that Tal was part of the Eolomea project that never found approval of the commission in charge.

Susanne is a young single mother who lives a somewhat "carefree" lifestyle. After quitting her job, she finds herself in trouble financially and attempts a minor insurance fraud to make ends meet. Despite its rare view of everyday socialism from a woman's perspective, East German officials were critical of this frank portrayal of a less-than-ideal socialist citizen and turned down all invitations for the film to be screened abroad.

After five years in prison, Ellen is ‘’out’’ and ready to come to terms with her past. She begins by looking for Katrin, who was present the night of the crime. Hearing Katrin’s voice on the radio and learning that she is a DJ at a local nightclub, Ellen decides to go and wait for her at the door. At first, Katrin is frightened and does not want anything to do with Ellen. However Ellen persists. Flashbacks fill in the history of Katrin’s relationship with an abusive husband and her intimate relationship with Ellen. It soon becomes clear that Ellen’s devotion for Katrin is no less potent than before. Gradually Katrin yields to Ellen’s wishes. Before long, past events catch up with them an unexpected sting in the tail reveals a major twist.

An idealistic teacher is shocked to discover her pupils are already cynical and opportunistic. Her colleague soon grows resentful when she uses new and challenging techniques to help her students overcome obstacles.

In a small town, everyone has tried to forget what happened shortly after WWII. That is, until a stranger finds a book that Jadup (Kurt Böwe) gave to the young refugee Boel (Katrin Knappe), who resettled in the town over 30 years ago. Painful memories about Boel and the post-war period begin to surface and shake up the whole town. Boel vanished back then and nobody knew why. Word spread about a rape and some tried to blame a Russian soldier. Jadup, the town's respected and popular mayor, remembers, though, how he mistrusted Boel and did not help her through this difficult time; HE didn't even notice THAT Boel loved him. Jadup's confrontation with the past gives him a new, critical view of his current situation and surroundings.

Film by Evelyn Schmidt.

35-year old ballet soloist Peter ends his career as a performance dancer and, on the occasion of his last stage performance, looks back on his career and his life. Peter′s retrospection is centred on the relationship with his professional and romantic partner Lotte, who he had once met at a joint performance. Peter remembers the landmarks of their love: their marriage, their child, and Lotte′s severe illness that threatened to end her career. In flashbacks, the film shows how the couple survived this crisis by working sacrificially to return to the stage and celebrate international success.

Hoffi is starting fresh after his release from prison. He travels with his brother to different construction sites in search of Urban, an acquaintance and role model he met during a brief hospital stay. Along the way, Hoffi meets Gila, who sees beyond his past in prison. Despite disapproval from her family, Gila decides to build a relationship and future with Hoffi, but Hoffi initially hesitates at this responsibility. It takes the encouragement of his workers’ brigade for Hoffi to realize his mistake and give his relationship with Gila a chance.

Ramona lives her lonely life in Berlin working in a lipstick factory. One day she accidentally runs into Andrzei, a Polish mechanic illegally selling cigarettes in Germany during the weekend. One thing leads to another, and soon she finds herself pregnant. Then her life starts falling apart, when Andrzei tells her he already has a wife back in Poland and her baby dies shortly after its premature birth.

Outside Time is the second feature film of Andreas Kleinert, a German director who grew up in the GDR and who started making films at the time of the fall of the Wall. The film is set in a small town somewhere in Brandenburg, a place which is rapidly falling "outside time"; since it cannot keep pace with the changes brought about by unification and the transformation of the former GDR. The Russian troops stationed there have withdrawn and their barracks have turned into rat-infested ruins; the intercity trains do not stop there any more and even the regional railway link to Berlin is going to be suspended. Most young people are leaving. When Sophie introduces her lover to her mother and her brother, Sergej becomes embroiled in the incestuous tensions underlying the relationship between Sophie, her brother, Georg, and her mother. The arrival of the Russian implodes the claustrophobic sham existence that held this dysfunctional family together.

A group of young people draws straws to see who'll steal some cigarettes. With this theft, Sebastian starts a bizarre, symbolic odyssey through a sclerotic world, in search of himself and of truth and justice. When he tries withdrawing from one social paradigm, he finds himself caught in another.