Isabella, Jonata and Pedro are stuck at home for a weekend. Distressed by the state of the world and financial difficulties, the trio decides to go out on the streets of a dystopian São Paulo to relax, which allows them to meet many individuals in a similar situation, causing tragicomic and fantastic situations.

With an old VHS camera and help from a loyal friend who supports him almost unconditionally, Mateus records all kinds of images for a homemade movie. In his early-20s and living in an industrial suburb, Mateus confusingly tries to find some link between the stuff he shoots and the people in his life.

A lonely beach on the southernmost coast of Brazil is the scene for two friends, on the brink of adulthood, to explore their understanding of themselves and one another. Martin has been sent by his father to retrieve what appears to be an inheritance-related document from the family of his recently deceased and estranged grandfather. Tomaz accompanies him, seemingly hoping to regain some of their former closeness. The two boys shelter themselves in a glass house, in front of a cold and stormy sea.