Orson Welles' archives of unfinished/never released movies and the last years of his life from the perspective of Oja Kodar (life and artistic partner of Orson Welles in his last years).
The art market in France was surprisingly flourishing under the Occupation. Almost two million works of art changed hands between 1940 and 1944. Over 35,000 trains left Paris loaded with artwork and spoliated objects, in particular those belonging to Jewish families. What practices and what networks did those in the art market put in place during this five-year period? Who were they? What role did the French national museums play in this market?
