A poor village in the Tohoku area has a law that states when a resident becomes sixty years old, they must move to the place called Warabino, far away from home.

While Keisuke and Jiro were brothers, the characters of the two were opposite. My older brother Keisuke was a sophomore college graduate, a honest and passionate young man, but his brother Jiro was only a student of a ronin who failed in taking the university and was playing. Such two people had a dream. Keisuke traveled wandering at his own trailer house, Jiro became a racer, had a dream of surrounding the world.

On the night of August 19, 1980, a bus was set on fire by the vagrant Hirofumi Maruyama at the Shinjuku West Exit Bus Terminal. In the burning flames, Mitsuko, who was exhausted by her affair, suddenly thought of suicide. As a result, she escaped too late from the bus and suffered a serious injury. From there, she was hospitalized for a long time. As she gradually recovered, the wife of her affair partner, Soroku Sugihara, died of cancer. Soroku proposed to Mitsuko again, and they lived together. Due to Soroku's mounting debt, they decided to flee to Tojinbo. With the desperate persuasion of her acquaintances, Mitsuko regained her desire to "live again."

A set of twins -- one a hard-working student and the other a drifter -- team up with a dropout to unlock the secrets of the universe and to build one of their own.

Traveling chef Ryuji is called back to Tokyo to help save his late teacher’s restaurant. With the help of his close friend Kinu, Ryuji must complete the training of Wataru — the apprentice chosen by his late teacher to become the next master chef — in the art of culinary excellence and running a successful business.

Hoshino (Toshiro Yanagiba) is the mob-connected owner of a ritzy Chinese restaurant. One evening he’s sitting down in a lavishly appointed private room to enjoy an elaborate multicourse dinner, when he gets a call from a crooked politician of his acquaintance. A long-meditated money-laundering deal is about to bear fruit and earn him a cool 5 billion yen. The gang boss who backed him on this deal will be pleased. He is, understandably, in the mood for celebrating when an unexpected visitor (Izam) arrives — a tall, husky, mincing fellow in dreadlocks, with a gun. He is a hit man sent to whack Hoshino — but for what? The hit man neither explains nor kills; instead he sits down at the table and asks Hoshino when dinner is going to be served. Coolly, Hoshino calls in Chinese for the waitress, who enters, wearing a red, slit dress and an inscrutable expression, with the first course. The longest meal of Hoshino’s life has just begun.

When corporate executives are blackmailed into public displays of nudity on the busy streets of Shinjuku, the big guns are called out to locate "Oboreru Sakana". The "big guns" are a misfit duo of ethically questionable characters who must infiltrate a gay nightclub and "fit in" while they search for clues. What ensues is both hilarious and action-packed. Oboreru Sakana is a rather ambitious and often hilarious contemporary crime thriller. Its narrative swings from the grisly to the humorous and pulls in as many pop culture elements as it can manage.