A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.

Set in the greek island Milos, this action comedy follows a group of people searching for the actual Venus de Milo

Vera von Lehndorff is a Prussian noblewoman and daughter of the Count Lehndorff, a leader of the anti-Nazi resistance, executed during WW II. She was discovered in 1959 by Italian photographer Ugo Mulas. After initial failure, she changed her name to Veruschka, became one of the first top models and was also considered for a long time one of the most beautiful women in the world. Muse to Antonioni in Blow up, and to Dalì, in the 1960s she was on the cover of magazines like Life, Vogue and Queen, and photographed by the most important talents of the time (Avedon, Newton). In 1965 she began working on "transfigurations", which would lead to body art, where make-up becomes real body painting: from cat-woman, to snake, plant, mineral, African idol and finally to an immortal metallic body (for Rubartelli, director of the films Stop Veruschka and Trülzsch) which survives the natural decay of objects over time.

Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.

The final installment in Ulrike Ottinger’s Berlin Trilogy (following TICKET OF NO RETURN and FREAK ORLANDO) casts Delphine Seyrig as the nefarious Fritz Lang supervillain Dr. Mabuse, here the head of a powerful media empire that seeks to create headlines by manufacturing (and then publicly destroying) its own celebrity: the wealthy, handsome playboy Dorian Gray.

Le Chiffre, a banker to the world's terrorists, is scheduled to participate in a high-stakes poker game in Montenegro, where he intends to use his winnings to establish his financial grip on the terrorist market. M sends Bond—on his maiden mission as a 00 Agent—to attend this game and prevent Le Chiffre from winning. With the help of Vesper Lynd and Felix Leiter, Bond enters the most important poker game in his already dangerous career.

Fashion photographer Franco Rubartelli's visually lush and moody head film about European supermodel Veruschka.

Salome is the daughter of the second wife of King Herod. The King is infatuated with her and, after she fails to seduce the prophet John The Baptist, she dances for the King in order to ask for his execution.

Doctor Frankenstein creates a mate for his monster, a woman called Eva, who promptly rejects the male creature. In turn, the doctor becomes obsessed with Eva, and tries to make her a perfect victorian woman.

This film was presented to the Cannes Film Festival in the parallel section in 1978. It is unreleased.

Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.

Tells the story of the photographers who cemented the image of swinging London and who, through their pictures, irreversibly altered the face of fashion and pop.

A series of 9 performance art pieces and surrealist shorts created and primarily performed by Rebecca Horn.

The Superhost follows Preston (Preston Chaunsumlit) and his roommate Sage (Colin Self) as they try to figure out rent, rapport and cold hard reality in downtown New York.

An upcoming film directed by Enrico Iannaccone. Valerio (Antonio Folletto) is a thirty year old man who leads a self-destructive life. The still beautiful Carla (Catherine Spaak) is an ex-magistrate, who begins to show the first signs and symptoms of Alzheimer's. Contrary to Valerio she has an overwhelming desire to live. These two tormented souls become friends and together they find the strength to confront the pains and secrets of their past. They are both related to a mysterious woman, Anneke (Veruschka von Lehndorff ). This is a journey of two people who are so different and yet so similar, sharing their most painful emotions. It will lead them to the discovery of a new way of loving.

Avedon's commercial advertisement for the Japanese womenswear brand Jun Ropé features an innovative and unexpected approach to the genre that reflects the famed photographer's exceptional signature style. Opening onto a behind-the-scenes look at a photo shoot, the camera follows the supermodel Veruschka as she transforms from a suit-clad, mustached character in drag to an unabashedly glamorous fashion icon dressed in a designer gown and posing for Avedon himself. While initially produced for a commercial client with the leading industry talents of the day, the video underscores the artist’s savvy understanding of the performative—and ultimately flexible—nature of social constructions of gender, femininity, and the self.

This intimate and loving portrait of the legendary arbiter of fashion, art and culture illustrates the many stages of Vreeland's remarkable life. Born in Paris in 1903, she was to become New York's "Empress of Fashion" and a celebrated Vogue editor.