A psychological thriller set in Macedonia leaving naive son Jane to discover the truth about his father.

Macedonian TV film.

A Macedonian TV film in the dialect of Kavadarci

Macedonian TV drama

Ognen is studying art at the University of Nis with his girlfriend Ana, a girl obsessed with a Picasso painting that's on display in the Museum of Skopje. When she breaks up with him, he loses it and tries to destroy the painting.

Macedonian TV drama.

Five centuries of persecution and the struggle of the Macedonian people for freedom and an independent Macedonian state in which freedom will reign equally for all, have created their own myth and tradition for themselves. The struggles, sufferings, betrayals and self-sacrifice were later translated and woven through Macedonian songs, stories, tales and plays. Starting from there, this TV movie approaches the events of that time.

Macedonian TV drama.

A love melodrama that follows the lives of four grown people, their professions, emotional and social problems.

The first film about Mother Teresa.

Тwo real life stories of solved murders, one of which resulted in the last death sentence imposed in Yugoslavia, during the 1970s.

Serafim is a vampire hunter - who wanders through Macedonian villages and destroys the vampired dead man for money. His apprentice is young fellow named Fidan, who Serafim teaches the rough and dangerous vampire craft, along with the alphabet and the insecure life in Macedonia. Vampire man and his student in their surroundings get in struggle with: Macedonian vampires, Turkish Authority and with Komiti (Macedonian Revolutionaries), also with Avdzi - Taburi (paid hunters of Komiti). Fidan experiences damnation of the vampire skill, who doesn't know if Serafim is a God's angel or servant of Devil.

A clerical worker endures another tedious afternoon with quiet desperation. But a trip to the bank where he encounters a surly teller pushes the mild-mannered clerk over the edge—his quiet desperation becomes the violent despair of a raging beast!

High in the mountains of Macedonia a team of young film makers are making a documentary about Katerina Vandeva - a descendant of an ancient and very famous family. Several former state and party functionaries interfere in the filmmaking in the hopes of manipulating Katerina's confessions for their own purposes. Nikola, the director, and his friends have to make the choice - whether to compromise with their consciences and their art, (as normally happens here in the Balkans), or whether to preserve Katerina's message.

Petar is an intruder. He has skills to break into people’s lifes, to break into their privacies. He observes, examins, studies them. He brings people’s lifes to numbers, to simple statistical data. Data by which he comprehends the chaos. The chaos of life. And just as God, Petar only observes lives and does not interfere with the events. However, it is not in a human nature to remain distant and not to interfere with the reality at all. Especially not when Petar’s help is desperately needed. When he sees himself as the ultimate savior of somebody’s life Petar has to act.But for the people, the line between benevolence and crime is so thin that they can not clearly distinguish these two. They can’t recognize and trust an altruism without suspicion. They are bound to disfigure and misjudge any atempt for openhearted aid and call it a fraud or concealed attempt for an assault. Therefore, the savior has to be destroyed.