Birthday:
Not available
Birthplace:
Not available
Their works
- Release swap_vert
- Title swap_vert
- Ratings swap_vert
close
Ondeo
Music
event 1980
top_panel_open
Film by Michael Rudnick
The Compound
Music
event 1981
top_panel_open
Film by Michael Rudnick
Will She Get Over It?
Director
event 1971
top_panel_open
Experimental short film. Preserved by the Academy Film Archive in 2015
How To Beat A Dead Horse
Director
event 1983
top_panel_open
Experimental short film preserved by the Academy Film Archive in 2012.
Dufus
Director
event 1970
top_panel_open
A motley cast of characters offer their thoughts on what’s most important in life. Experimental short film preserved by the Academy Film Archive in 2011.
Money
Director
event 1970
top_panel_open
Experimental short 16mm film directed by Mike Henderson. Preserved by the Academy Film Archive in 2010.
The Shape of Things
Director
event 1981
top_panel_open
A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2014.
The Last Supper
Director
event 1970
top_panel_open
A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.
When & Where
Director
event 1984
top_panel_open
A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.
Down Hear
Director
event 1972
top_panel_open
A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.
Mother's Day
Director
event 1970
top_panel_open
A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive.
Pitchfork and the Devil
Director
event 1979
top_panel_open
A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.
Too Late To Stop Down Now
Director
event 1982
top_panel_open
Experimental short film preserved by the Academy Film Archive in 2014.
The Rocking Chair Film
Director
event 1972
top_panel_open
Henderson leaves the house, as his experiment intersects with another film crew.
Ducksarenodinner
Director
event 1983
top_panel_open
Lights whirl around the frame. Experimental short film preserved by the Academy Film Archive in 2016.
Just Another Notion
Director
event 1983
top_panel_open
As a guitar screeches, the image comes into focus. Experimental short film preserved by the Academy Film Archive in 2012.
King David
Director
event 1970
top_panel_open
[1970/2003, color, 7.5 min] Experimental short film preserved by the Academy Film Archive in 2007.
Show more expand_more
keyboard_double_arrow_down