Two lads in Edinburgh embark on a non-violent spree of robberies. They dress up in clown masks and act as modern highwaymen, robbing coach loads of tourists in the highlands. In the process they become folk heroes to the locals. Their adventures make for a whimsical and gentle comedy, in the Bill Forsyth vein.

Vic Mathews teaches a remedial class at the Blessed Edith Semple School in Scotland. Some at the school are trying to discover the two more miracles that would promote the late Edith Semple to sainthood; Mathews, a non-believer, wishes the school would concentrate on teaching the children. He becomes confused, however, when he is involved in possibly miraculous events himself! Written by George S. Davis

A documentary, edited by Bill Forsyth, promoting the proposed development of Glasgow in the 1970s.

The people and places of the county of West Lothian, Scotland.

The modernisation of the A9 road between Perth and Inverness in Scotland.

The construction of an aluminium smelter in Invergordon, Scotland.

A look at the traditional crafts of the Scottish Highlands.

The industries of the Scottish Highlands.

Holiday attractions in the Scottish Highlands.

An interview with the Scottish poet Hugh MacDiarmid.

A look at English people who have made their home in Scotland.

The scenery and wildlife around Loch Lomond, Scotland, and the people who live and work there.

The life and work of the Scottish architect and artist Charles Rennie Mackintosh.

A look at life in Orkney, Shetland and the Hebrides.

A portrait of the people and places of the Tayside region of Scotland.

The Scottish poet discusses his work with his fellow Scottish writer Iain Crichton Smith.

A picture of the development of the city of Glasgow, Scotland, as seen through the photography of Scots-Italian photographer Oscar Marzaroli.

The screening of the short film 'Faces' at the 1961 Edinburgh and London Film Festivals kick started the film career of young McConnell, then studying at Glasgow School of Art. 'Faces', a comment on the personas we adopt, was inspired by a visit to the Brussels Experimental Film Festival of 1958 where McConnell saw the work of many European film makers, films of a genre unseen at that time in Britain. Many were without words, telling their stories in a variety of genres, live action, animation, puppetry, and making social comments on their times.